SKU: 85465748527

Didgeridoonas Oilskin - Walkabout Drink Bottle Cooler

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Description

Didgeridoonas Oilskin - Walkabout Drink Bottle CoolerThe Australian Walkabout Drink Bottle Cooler Weatherproof Australian oilskin is tough and long lasting. 100% Australian wool to keep your drink bottle cool for up to six hours. Thick drawstring to keep the cooler snug and the temperature inside. The thick drawstring keeps your bottle nice and secure and seals in the coolness. The leather and metal clip can attach to saddles, bikes, bags, belts, and more, or even just be a handy handle, so wherever

The Australian Walkabout Drink Bottle Cooler

Weatherproof Australian oilskin is tough and long lasting.
100% Australian wool to keep your drink bottle cool for up to six hours.
Thick drawstring to keep the cooler snug and the temperature inside.
The thick drawstring keeps your bottle nice and secure and seals in the coolness.
The leather and metal clip can attach to saddles, bikes, bags, belts, and more, or even just be a handy handle, so wherever you’re headed your drink is in easy reach.

FIT FOR ABOUT

Small size for about 1L(33.81us fl oz) BOTTLE

Large size for about 1.25L (42.30us fl oz) BOTTLE

CARE INSTRUCTIONS

  • Do not machine wash
  • Do not use soap
  • Hand wash only
  • Remove soil with soft brush
  • Sponge with cold water
  • Avoid contact with other materials to prevent transfer of oil
  • Reproof oilskin when necessary with DIDGERIDOONAS reproofer

    • 100% Cotton Outer(Wax Cotton)
    100% Australian Wool Insulation
    Designed in Australia and made from 100% Australia
    Proudly Assembled in Fiji

    Colours may vary slightly from the image.
    Accessories of example of use are not included.

    DIDGA KNOW - NOW YOU DIDGERIDOO!!

    Australian Oilskin
    Australian Oilskin is made from 100% cotton that is coated with a specialised oil and wax finish to give the Oilskin its distinctive waterproof, breathable and wind resistant properties.

    Australian Wool 
    Australian Wool has amazing natural insulating properties.
    It is active and has the ability to keep items warm in the winter and cool in the summer.

     

    Care & Maintenance

    CARE AND MAINTENANCE
    Our traditional Oilskin products and garments are made from sturdy 100% cotton that is coated with our uniquely formulated oil and wax finish to give the Oilskin its distinctive weatherproof and breathable character. As a specialised material, the Oilskin fabric needs special attention to maintain its weatherproofing qualities.
    The following care instructions will help prolong the life of your Oilskin product.

    CLEANING
    • Follow the washing/care instructions attached to the inside of the product.
    • Do not wash with detergent or hot water as this removes the oil and wax which are crucial to the Oilskin’s waterproofing qualities
    • When the item gets dirty, brush off dirt or sponge down with cold water
    • When item is extremely dirty, hand wash in cold water
    If the garment requires a complete clean, we recommend using our Wool/Oilskin Wash or pure soap.

    REMOVING MOULD
    • Firstly brush off as much mould on the garment as you can find.
    • Sponge diluted vinegar onto the affected areas.
    • Hand wash in luke warm water using our Didgeridoonas Oilskin/Wool Wash or a pure soap. Do not soak your Didgeridoona.
    • Rinse off as much of the soap as you can and hang it out to dry. Keep out of direct sunlight.
    • Hose down any excess soap and air your coat. Air out
    • Once you’ve cleaned your Didgeridoona the soap may have stripped most of the oil out of the coat so it will need reproofing.
    Please note, always store your oilskin product in a dry well ventilated area. Do not place in a cupboard or plastic bag for long periods of time, otherwise it will become mouldy.

    REPROOFING
    With wear over time, the oil and wax on the Oilskin fabric will naturally dry out. At Didgeridoonas we offer two types of reproofing products for Oilskin care: Oilskin Reproofer and Didgeridoonas Reproofer Wax.

    STORAGE AND GENERAL CARE
    • Always store your Oilskin garment in a dry, well-ventilated area
    • Do not leave in wet, enclosed environments as this promotes the growth of mould.
    • The oil and wax proofing on your product can rub off on other surfaces. Be aware of this when using your product in close proximity with other surfaces.
    • Do not stitch through or repair the outside of the fabric unless absolutely necessary
    • If repairs need to be made, please make sure the area is reproofed after repairing to prevent leaking.

     

    About Didgeridoonas

    Didgeridoonas® an Australian owned company
    That began in 1995, with just two sewing machines, the two of us, and a casual seamstress. After initially directing our business towards the retailing and manufacture of clothing, we were inspired by woolgrower friends in Western Queensland to design products that utilized the numerous strengths of Australian wool.

    Our products are designed to last a lifetime. By using the very best materials such as pure Australian wool, a durable oilskin fabric, strong leather handles and the toughest stitching we could find, we’ve created an extensive range of products which we are truly proud of. Indeed we have received various awards for them, including the Reed Australian Gift Award in 2001, 2003, 2004, 2005, 2007 and recently the Best Father’s Day Range with our Golf products.

    Didgeridoonas® products are sold through selected stockists across Australia and we proudly export to a growing number of countries around the globe. Many Australian and International companies also use our products to promote their businesses.

    For further information on the our product range, please contact one of our stockists or Didgeridoonas® direct and we will be happy to send you the new Product Brochure detailing the latest range. Find out about Australian cooler bags, stubby coolers, personalized stubby holders Today.

    Built Tough
    Strewth! At Didgeridoonas we believe in quality. That’s why we’ve gone to the extent we have with searching for the best quality, long lasting materials to make all of our products.

    When you purchase a Didgeridoonas product you are guaranteed durability. In fact, we guarantee our products for life against manufacturing faults. Should you experience any problems with one of our products, we will, at our discretion, repair or replace the defective part.

    Naturally, our warranty does not cover general ‘wear and tear’ or misuse, but if treated well, a genuine Didgeridoonas product will go on to last a lifetime. They may not look like an oil painting after years and years of use, but they’ll certainly still perform.

     

    Warranty

    DIDGERIDOONAS Warranty Terms and Conditions

    Our lifetime manufacturing warranty is designed to cover the quality of our stitching and workmanship in the manufacturing process of the product or garment you have purchased.

    This warranty excludes damage that naturally and inevitably occurs as a result of normal wear or aging (general wear and tear), accidental damage (not limited to punctures, rips, tears, fire or chemical burns, marks or stains ) or miss use of the product.

    All materials used in the manufacturing process are protected by a 5 year materials warranty (or as stated at the time of purchase).

    In the event of a valid warranty claim, the customer must provide proof of purchase of the product or garment.

    It is at the company’s sole discretion as to whether the product or garment is repaired or replaced, no refund will be provided.

    It is the customers responsibility to make available the product to the manufacturer (either by post or in-person) for remedy of the claim.

    In the event that a product has been discontinued and is no longer available, and the company chooses to not repair the product or garment, the company may provide the customer with a similar product equal to the retail value of the original purchase.

    This warranty is provided by DIDGERIDOONAS, https://didgeridoonas.com.au/

     

    Shipping Notes
    • Free Standard Shipping on $100+ Orders to the USA.
    • Except Preorder products are shipped in 48 hours.
    • Delivery to the USA:
    1. Standard Shipping : 3-10 business days
    • If time is of the essence, please consider selecting expedited delivery for faster service.
    Exchange/Return Notes
    • We offer a 30-day return/exchange service after receiving.
    • Final sale items are not eligible for returns or exchanges.
    • To process your return/exchange, please contact us at [email protected]
    • Please click here for more details>>> Return & Exchange Policy
    SKU: 85465748527

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    4.7 ★★★★★
    Based on 24 reviews
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    S
    Verified Purchase
    Sarah Pettingill
    Natrona Heights, US
    ★★★★★ 5
    🫶🏻
    Color: Caviar PDRN
    I love these. I put these on every morning when I’m getting ready. Sometimes I’ll even leave them on under sunglasses if I’m just doing school drop off 😆 They don’t slide off, they really help brighten and de-puff my under eyes, they have a cooling effect, unscented, and there’s no irritation. They also help concealer go on super smooth. I recommend!
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on May 18, 2026
    J
    Verified Purchase
    Jessica Martin
    New York, US
    ★★★★★ 5
    super hydrating
    Color: Caviar PDRN
    I love the full face mask but this is nice for a more frequent refresh. They are super convenient and work really well.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on June 4, 2026
    Z
    Verified Purchase
    Zachary Bednar
    Carnegie, US
    ★★★★★ 5
    The Perpetual Joke
    One of the best films I have ever seen is The Killing. It can boast a great many things. It can proudly say that it is the best heist film ever made and that it is the creme dela creme of film noir. Out of all the films in my top ten favorites, The Killing is easily the most watchable and purely entertaining. It doesn't try to be much more than a crime picture. A crime picture written by the legendary Jim Thompson of course. Thompson is one of the best American crime writers, well ever. And his work in The Killing is simply exemplary and total-classic Thompson. The film can also boast having a brilliant cast. Sterling Hayden, Elisha Cook Jr., and Marie Windsor soar, it can boast having possibly the strongest ensemble in all of the crime genre. It can boast having a pitch perfect tone and a distinctly unique and absorbing atmosphere. It can brag about the extraordinary tracking shots throughout or the lighting that startles and dazzles and vibes, melts. It can brag about being fun and devious and sly. It can brag about being unpredictable and clever. Smart. It can brag about being one the greatest films ever made. It's honestly that perfect. And did I mention that some guy named Stanley Kubrick directed the thing? The Killing is a film about a group of men who plan to knock off a racetrack, those who seek to thwart them, and how it all plays out. The characters are unforgettable. The Killing has in it's repertoire more than just a few of my favorite noir characters. What makes the players so special is that all of them are so sympathetic. Really. My heart goes out to each and every one of them, understanding and empathy seldom hits this hard within the parameters of the heist and noir genre. But here, the damn thing works every time. I've seen the film several times and I still physically act as if every time is my first. I cover my hands over my mouth in astonishment, I bite my nails in anticipation, I drum on my knees with rhythmic excitement, I laugh out loud, and I cheer relentlessly for everyone involved. I imagine myself as a member of the outfit. I have so much fun with this twisted picture that it's ridiculous. Okay. Lucien Ballard. Dick Tower. Earl Snyder. The men who walk the walk. One of the most dazzling things about The Killing is it's technical brilliance. The thing looks absolutely gorgeous and twisted and just right. Smokey and sexy and rough. There are shots in this film that your eyes can more than feast on, they can devour them. There are sequences of sight and sound and light that will make you fall in love with noir all over again. If that's not enough, Jim Thompson's dialogue will make your head spin it's so good. You'll find yourself quoting it to yourself without warrant or cause. The beats and the meter and time and scale of Thompson's writing will send you for a ride. Great dialogue and a truly complex and understated plot, the inner workings of which are not only of the heart-pounding variety but the very fabric that it is woven into is absolutely compelling. There is a subtext here as well. I don't think Kubrick ever really made a film just for the sake of doing so, he always had something deeper to communicate on top of it. The Killing communicates within the subtext the idea of the perpetual joke. Borderline Absurdism. Characters die literally howling about not being able to understand their own private punchline. Robberies take place by men in the guise of clowns. Think Hayden Sterling as Pagliacci The Clown. The Killing feels like a crime film written by Jim Thompson, directed by Stanley Kubrick, and dreamt up by Albert Camus. The idea that everything is absurd, that life is a frenzied haywire with a morbid sense of humor. I think Sterling's Johnny finally understood the great joke of life at the end of it all. And its pointless brand of mischief. It is fascinating seeing the great Stanley Kubrick, before he really was the GREAT Stanley Kubrick, working within the framework of the crime genre. Kubrick excels here, even if he was limited by boundaries of style and time. He is a filmmaker that mastered every genre he dabbled in. He is not only one of the greatest directors that ever lived but he is my personal favorite one. His films have a crazy power, an uncanny transcendental quality to them. The Killing possesses every bit as much magic that his post 2001 films do. The Killing has a little bit more than that as well. It has an incredible watchability factor. I could watch The Killing once a week for the rest of my life and still not get tired of it. I think I'll do just that. Why not? You only live once, right?
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on July 17, 2014
    T
    Verified Purchase
    Terry Seale
    Los Angeles, US
    ★★★★★ 5
    Worth viewing and studying.
    First major Kubrick feature film noir. Nothing about Sterling Hayden's Communism here. Cool caper with a classic cast. The flick provides an impactful reminder to never skimp on low quality luggage, to use a double lock, and to take time whenever possible to bundle your cash with rubber bands. "While playing chess in Washington Square, Kubrick met producer James B. Harris, who considered Kubrick to be "the most intelligent, most creative person I have ever come in contact with", and the two formed the Harris-Kubrick Pictures Corporation in 1955.[52] Harris purchased the rights to Lionel White's novel Clean Break for $10,000,[g] and upon Kubrick's suggestion, they hired film noir novelist Jim Thompson to write the script for the film—which later became The Killing (1956)—about a meticulously planned racetrack robbery gone wrong. The film starred Sterling Hayden, with whom Kubrick had been impressed in The Asphalt Jungle (1950).[54] Kubrick and Harris moved to Los Angeles from New York and signed with the Jaffe Agency to shoot the picture, which became Kubrick's first full-length feature film shot with a professional cast and crew. The Union in Hollywood stated that Kubrick would not be permitted to be both the director and the cinematographer of the movie, so veteran cinematographer Lucien Ballard was hired for the shooting. Kubrick agreed to waive his fee for the production, which was shot in just 24 days on a budget of $330,000.[55] He clashed with Ballard during the shooting, and on one occasion Kubrick threatened to fire Ballard following a camera dispute, despite being only 27 years old at the time and 20 years Ballard's junior.[54] Hayden recalled that Kubrick was "cold and detached. Very mechanical, always confident. I've worked with few directors who are that good".[56] The Killing failed to secure a proper release across the United States; the film made little money, and was promoted only at the last minute, as a second feature to the Western movie Bandido! (1956). Several contemporary critics lauded the film, however, with a reviewer for TIME comparing its camerawork to that of Orson Welles.[57] Today, critics generally consider The Killing to be among the best films of Kubrick's early career; its nonlinear narrative and clinical execution also had a major influence on later directors of crime films, including Quentin Tarantino. Dore Schary of Metro-Goldwyn-Mayer was highly impressed as well, and offered Kubrick and Harris $75,000 to write, direct, and produce a film, which ultimately became Paths of Glory (1957)." [Wikipedia]
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on February 21, 2016
    S
    Verified Purchase
    Smrz
    Port Orchard, US
    ★★★★★ 5
    Quintessential 50's Kubrick Noir!
    Criterion continues to keep them coming. The Killing(1956), Stanley Kubrick's great noir adds to the recent influx of Criterion's recent titles in 2011, which closely follows Kiss Me Deadly(1955). What a feast for Noir addicts! Now we have another pristine upgrade of a print which greatly improves past releases in both quality as well as great special features. This time we get two jam filled discs of a very important Noir. This two-dvd special edition includes a bounty of goodies for lovers of Noir. There is a new digital restoration, which is excellent, as well as a new interview with producer James B Harris. Interviews with lead actor Sterling Haden, who is excellent in his role as the small-time criminal who plans a dangerous race-track heist with help from a corrupt cop, and an interview with author Robert Polito about writer Jim Thompson. That is just on the first disc, Disc two includes a richly restored high-def digital transfer of Kubrick's 1955 feature Killer's Kiss, new video appreciation of Killer's Kiss by film critic Geoffrey O'Brien, and a new trailer. Of course, you also get a 20 page booklet featuring an essay by film historian Haden Guest and an interview with actress Marie Windsor, which is a reprint but still quite good. Now on to the feature. The Killing was Kubrick's 3rd feature, and to most film historians, the one that put him on the map, although some people would favor Paths Of Glory which was released in the next year 1957 as his breakthrough as a major director. I beg to differ. The Killing is told in a non-linear style which many movie goers have difficulty following, even now in the 21st Century. But to lovers of Noir, by 1956 they had become quite used to it and had no problem with it. In fact, many noir lovers enjoyed putting the pieces together which to them, only added to the experience. The film displays what has become a very familiar Kubrick theme. That is the breakdown, malfunction or fallibility of man and his plans. Just as in Kubrick's subsequent films such as Dr. Strangelove and further on to 2001:A Space Odyssey which became major mainstream successes. His manipulation of time in bits and pieces differs most strikingly from 40's Noir, such as The Killers and Out Of The Past. As players inthis game are established, the film leaps backwards until all of the parts fit together like the pieces of a jigsaw puzzle. The well planned heist falls apart just like the suitcase full of money falls off a cart and scatters the bills in the wind. Just as they say, "The Best Laid Plans". In addition to Hayden, the other members of the heist, especially Vince Edwards, Elisha Cook Jr, and especially Timothy Carey, are all excellent. Most definitely, pay the extra money and get this edition. SMRZ!!!
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on September 15, 2011

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