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Hofmann, Leopold: Cello Concerto in C major (Badley C1) (AE029)

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Description

Hofmann, Leopold: Cello Concerto in C major (Badley C1) (AE029)Description Hofmann, Leopold (1738 1793) Product Code: AE029 Description: Cello Concerto in C major (Badley C1) Edited by: Allan Badley Year of Publication: 1995 Instrumentation: vc pr; 2cor 2vn va vc b Binding: Score: Spiral or Stapled Parts: Unbound Duration: 15 min(s) Key: C major ISBN: 1 877170 29 1 Solo Instrument(s): Cello Audio sample Details The date of the present work is unknown. Unlike the majority of Hofmann's concertos it was not offered

Description

Hofmann, Leopold (1738-1793)

Product Code: AE029
Description: Cello Concerto in C major (Badley C1)
Edited by: Allan Badley
Year of Publication: 1995
Instrumentation: vc pr; 2cor 2vn va vc/b
Binding: Score: Spiral or Stapled / Parts: Unbound
Duration: 15 min(s)
Key: C major
ISBN: 1-877170-29-1
Solo Instrument(s): Cello

Audio sample

Details

The date of the present work is unknown. Unlike the majority of Hofmann's concertos it was not offered for sale through the Breitkopf Catalogue and none of the four extant copies records either an acquisition or performance date. The concerto is larger in scale than most of the others and its technical complexities greater. On stylistic grounds it is tempting to place the work in the early 1770s - that is towards the end of Hofmann's active career as a composer - and its occasional technical similarities with the Haydn C major Concerto might be an indication that it was composed after Joseph Weigl's arrival in Vienna in 1769. Two of the four copies are associated with 18th century virtuosi: the first, preserved in Stift Heiligenkreuz and upon which this edition is partially based, once belonged to Gregor Hauer, a pupil of Robert Kimmerling at Melk and later a friend of Michael Haydn; the second, one of two complete sets of parts now located in the archive of the Gesellschaft der Musikfreunde in Wien under the signature IX 2349, carries the initials 'AK' on the wrapper; the handwriting appears to be that of Anton Kraft who initialled a number of works in identical fashion. The third copy, and the principal source for the edition, formerly belonged to Friedrich Wilhem II, the cello-playing King of Prussia.

There are a number of significant variants between the two copies upon which this edition is based. The first movement basso part in the Heiligenkreuz source conforms in outline with the other extant basso parts but is at times more rhythmically static possibly as a consequence of the copyist incorrectly notating or transcribing abbreviations. This source also includes a pair of horn parts which give every appearance of being authentic. The first movement of the Berlin copy includes occasional variations in the accompaniment figures in the violin parts. Of far greater interest, however, is a change in the opening phase of the second-movement recapitulation. In the Berlin manuscript the first phrase of the principal theme returns in the orchestra and is then continued by the solo instrument; the Heiligenkreuz version is far more typical of Hofmann's usual second-movement practice in its omission of the central ritornello in order to begin the recapitulation with the soloist.

This edition is based largely on the Berlin source with the addition of the Heiligenkreuz horn parts. A number of articulation and dynamic markings are adopted from the latter source where they are less ambiguous than those found in the Berlin copy. In keeping with Hofmann's usual practice there are no dynamic markings in the solo sections; these are left to the discretion and good taste of the performer. The style and notation of articulation and dynamic markings have been standardized throughout, and, where missing from the source, reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets. Like most eighteenth-century sources, the present manuscript is very inconsistent in its notation of appoggiature ; these too have been standardized to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Allan Badley

Performance

9 March 2013 Soloist(s): Joey Myers, cello Conductor: John O'Brien Eastern Senior Youth Orchestra East Carolina University - Greenville - USA
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SKU: 17345752558

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Gary Hugo
Pawtucket, US
★★★★★ 4
Definitely not indestructable
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I have a 1-year-old toy fox terrier (Rocky, pictured). He has been chewing on this toy for seven months now; it is one of his favorites. He has been unable to seriously damage the "ocean" portion of this toy, but as you can see from the provided image, the sea serpent has not faired that well. It is missing its snout and smaller portions of the humps. My guess is that the advertiser images showing much larger dogs with "like new" versions of the toy are just that...NEW AND UNCHEWED. I have not had to clean up bits of this toy from my floor, so I assume Rocky has been swallowing them. My hope is that the yellow material of the serpent is not chemically dangerous when exposed to digestive fluids. Rocky easily destroys plush toys in a matter of days if not hours and, consumed pieces of a small microfiber blanket that he liked to toss around and play tug-of-war with (past tense as he destroyed it and has since been trashed after I began finding feces-stained undigested pieces of it lying around). Since this toy has survived seven months and has remained recognizable, I have to agree it is durable. Just beware, if my small toy fox terrier can damage the toy as pictured, expect your large breed chewer to do similar or worse damage. Also, the toy is very heavy! When Rocky drops it down a flight of stairs, it makes a MAJOR thud at the bottom, and sometimes makes me wonder if it might crack the large tile at the bottom. I cautiously recommend the product. Note the yellow frisbee in Rocky's picture. It is only a few months old and surprisingly has not suffered any chew damage despite substantial abuse. It appears to bend in the wind like a proverbial reed, evading damage by yielding to pressure.
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Reviewed in the United States on July 5, 2024
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Elaina rice
Carnegie, US
★★★★★ 5
Dog loves it! For tough chewers for sure
Size: Medium/Large, Color: Dog Ness Monster - Large, Size: Medium/Large, Color: Dog Ness Monster - Large
Dog absolutely loves it, he’s super rough on all of his toys they usually last about 10 minutes bore they are torn to shreds. It’s lasting through his chewing so I’m happy. It’s also super cute.
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miriana
Chelsea, US
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Cute toy, dog really likes it. I had my doubts when I pulled it out, and honestly so did she, but the soft part bounces, so that got her going. We've had it for about a week. My dog is ~70 lbs and a moderate chewer, and this monster still gets regular play and is holding up well.
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zee
Boise, US
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Great toys for aggressive chewers
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These are great toys they last a while they are destroyed after a while but both dogs are aggressive chewers but they last about a year and a half. And they are go to toys they have one that is a shark mouth and they love it I have bought 4. (two of them the pups lost ).
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Reviewed in the United States on December 20, 2025
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Anjelica
West Palm Beach, US
★★★★★ 4
Durable and Fun, Just Gets a Bit Rough
Size: Medium/Large, Color: Chopper - Large
This is a really good toy overall, especially if you have dogs that love to chew. My dogs were immediately into it—they play with it nonstop, toss it around, and stay entertained for a while, which I love. It definitely holds up better than most toys we’ve tried. The only reason I’m giving it 4 stars instead of 5 is because over time it does start to fray a bit and gets a little rough, especially with heavy chewing. It’s not completely indestructible, but it still lasts longer than a lot of other toys. Overall, still a great buy and I would recommend it if your dogs need something tough but fun!
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