SKU: 6376875264

GLEAN (EN) 5, Autumn 2024

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GLEAN (EN) 5, Autumn 2024GLEAN 5 is out now! With Orla Barry as Guest Editor and a Brussels City Report. Artist Edition by Kendell Geers Each issue of GLEAN features a cover based on a unique artist edition. For this issue weve invited the Brussels based artist Kendell Geers. His print edition draws on decades of research into Marcel Duchamps brief but pivotal visit to Munich in 1912. Geers intricate Le Vrai Faucon is printed in an edition of 20 (plus 2 APs). Now available at

GLEAN 5 is out now! With Orla Barry as Guest Editor and a Brussels City Report.

Artist Edition by Kendell Geers
Each issue of GLEAN features a cover based on a unique artist edition. For this issue we’ve invited the Brussels-based artist Kendell Geers. His print edition draws on decades of research into Marcel Duchamp’s brief but pivotal visit to Munich in 1912. Geers’ intricate Le Vrai Faucon is printed in an edition of 20 (plus 2 APs). Now available at editions.glean.art

Guest Editor: Orla Barry
Our Guest Editor for this issue is artist and shepherd Orla Barry, whose contribution is both grounded and compelling. At Barry’s request, this section is set in a font (Atkinson Hyperlegible) that is accessible to readers with dyslexia. She invited Sebastian Cichocki to write a text about her practice and Kathleen Weyts had an in-depth interview with Barry. In close collaboration with the designers, Barry also compiled a visual essay consisting of text fragments, film stills and quotes, and image contributions from Irish artists Gary Coyle, Mairead O’hEocha, Maria McKinney, Alice Maher and Dorothy Cross. A truly joint effort!

City Report: Brussels
We’re delighted to introduce GLEAN’s City Report. Each issue will bring an art lover’s perspective on a different city. Kicking off the season in our home city was a no-brainer. Check out the artistic responses to the city by the Brussels-born artist and photographer Maxime Fauconnier and the group of artists Natural Contract Lab (NCL), whose contribution focuses on mapping the ‘SZenne’ river that runs so elusively (yet significantly) through the city.

Nástio Mosquito
Angolan-born artist Nástio Mosquito has been living and working in Ghent for a number of years. His country of residence is now providing the venue for a retrospective exhibition. From 10 October, M HKA in Antwerp will host ‘King of Klowns’, a solo exhibition highlighting Mosquito’s varied oeuvre. Read about the many layers, themes and personas in the artist’s work in the thoughtful feature by Maluza Vindes.

Studio Visits
We’re back with two local studio visits in this issue. Artist and writer Michaela Schweighofer dropped by Lisa Vlaemminck’s studio in Molenbeek (and found ‘a lot’ of painting). Curator Laila Melchior had an enriching conversation with her compatriot, the Brazilian artist Paloma Bosquê (after being greeted with a typical Brazilian cafézinho). Complementing the writers’ contributions, both artists’ studios were wonderfully caught on camera by Tom Van Hee and Dries Segers.

Lucy McKenzie
Lucy McKenzie’s solo exhibition ‘Super Palace’ at Z33 in Hasselt will open on 29 September. McKenzie, a Scottish artist based in Brussels, is primarily known as a painter, but she also works with many other media and incorporates a wide range of artistic techniques; in fact, her new show promises to be anything but two-dimensional. There will be a shopfront, street lamps, statues, even a subway station. Read Febe Lamiroy’s interview with the artist.

… and more!
As usual, GLEAN 5 is bursting with content. Other artists featured include Kasper Bosmans, Joar Nango, Wu Tsang, and KANAL-Centre Pompidou’s new Curator-at-large Sandrine Colard. WIELS director Dirk Snauwaert has written an obituary for Kasper König, the self-styled ‘Ausstellungsmacher’ (‘exhibition-maker’) who passed away on 9 August 2024. We review shows from Busan to Basel. And alongside his cover for this issue, Kendell Geers will be unpacking his research on Marcel Duchamp over the next four issues, starting at the very beginning of the story: Duchamp’s Endgame. Happy reading!

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SKU: 6376875264

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C
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Caleigh Meyer
Cuba, US
★★★★★ 4
Overall good toy for dogs
Color: Blue
My dog loves her snoop. I put little training treats in there for her, and she loves to roll it around and get the treats out. For her, it doesn’t last very long because they do fall out pretty easy, but she is a big dog so a smaller dog might have a harder time than her. Very sturdy and easy to travel with. Not noisy at all. I would say it’s a good, quick play toy for a dog like mine.
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Reviewed in the United States on April 14, 2026
A
Verified Purchase
Anel
Grantham, US
★★★★★ 5
Fav Chew Toy 🦴
Color: Blue, Color: Blue
My baby is half rottweiler and half doberman &’ he has a pretty strong grip when it comes to chew toys. But this one, it’s his favorite toy! He never leaves the house without it. It’s also really fun to add his favorite treats in there when’s he bored to keep him entertained! Not loud at all and will keep him from chewing on other things and not heavy as other rough chew toys!
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Reviewed in the United States on May 31, 2026
L
Verified Purchase
Love for Design
Bozeman, US
★★★★★ 5
Great you made super well
Color: Blue Lil Snoop, Color: Blue Lil Snoop
This is such an awesome toy. It’s super durable strong bounces and a perfect size. We got the small. We got blue because our pup can see it. It allows for creativity and endless limits to what you can make for it to be a fun experience. It has a nice sized hole in the center which allows you to add treats and food. Pop it inward and it slightly if large enough prevents the treats from coming out super fast. The ball rolls bounces and they can grip it nicely. It is easy to clean The only thing I didn’t like was the way the plastic tabs were situated inside the toy as you just be careful you don’t allow it to drip inside and dog gets it. No noise just fun. Our 15lb Cavapoo loves it
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Reviewed in the United States on February 17, 2026
K
Verified Purchase
Kay
West Palm Beach, US
★★★★★ 3
No challenge once they figure it out once, or if they have a long nose
Color: Blue
The first time I used this with my 9 month old Shepard mix, it was great. We used about 1/3 cup of her kibble and added the Nook to make it harder. It kept her working for 20-30 minutes. However, now that she knows how to remove the Nook, and stick her snout into the opening and lick up the kibble, it lasts about 5 minutes, and is no longer a challenge. She still enjoys playing with this, even when it is empty, and hasn't it destroyed it yet, so for that 3 stars.
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Reviewed in the United States on April 5, 2026
J
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Jaq
Lowell, US
★★★★★ 5
Buy it — it’ll be your dogs best friend!
Color: Orange
Best treat toy ever! In the beginning of 2025 I bought this for my 12yr old Alaskan Malamute who loves puzzles and brain games. She loved it and played with it every day. Sadly, she passed middle of this year. Now in December, I have purchased this toy again for my newly adopted 10 month Great Dane puppy. Again, it’s an absolute hit! My Dane eats very fast, so I actually use this as a way to break up her meals. I put about half her meal (freeze dried raw kibble) in her slow feeder bowl and fill this toy about two times to feed her the other half. Also, we are crate training and before I leave the house I put treats in this toy and leave it in the crate with her. She has bad separation anxiety, but this toy actually seems to help calm her down because she enjoys it so much. I have bought many treat toys — this one is supreme. It’s not too loud or too difficult for the dogs to play with. So far it has held up without being chewed apart. It’s good quality, great size (orange for large breeds) and honestly, worth every penny.
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Reviewed in the United States on December 12, 2025

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