SKU: 44551128192

Thickening Volume Conditioner - 250ml

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Description

Thickening Volume Conditioner - 250mlHeb je fijn of dun haar dat na het wassen meteen weer plat ligt? De Bumble & Bumble Thickening Volume Conditioner is speciaal voor jou gemaakt. Deze lichte conditioner geeft je haar zichtbaar meer volume en body, zonder het te verzwaren. Je haar voelt zachter aan, is makkelijker te kammen en ziet er voller uit, al bij de eerste wasbeurt. Wat zijn de belangrijkste kenmerken van de Bumble & Bumble Thickening Volume Conditioner? De Bumble & Bumble

Heb je fijn of dun haar dat na het wassen meteen weer plat ligt? De Bumble & Bumble Thickening Volume Conditioner is speciaal voor jou gemaakt. Deze lichte conditioner geeft je haar zichtbaar meer volume en body, zonder het te verzwaren. Je haar voelt zachter aan, is makkelijker te kammen en ziet er voller uit, al bij de eerste wasbeurt.

Wat zijn de belangrijkste kenmerken van de Bumble & Bumble Thickening Volume Conditioner?

De Bumble & Bumble Thickening Volume Conditioner is onderdeel van de populaire Bumble & Bumble Thickening lijn, die speciaal is ontwikkeld voor fijn en slap haar. Dit zijn de kenmerken die je dagelijks merkt:

  • Haar ziet er voller en dikker uit
  • Lichtgewicht formule die niet verzwaart
  • Haar voelt zachter aan en is makkelijk te kammen
  • Beschermt haar tegen uitdroging en breuk
  • Geeft glans zonder vettig effect
  • Lichte UV-bescherming voor kleur en structuur
  • Geen klassieke parabenen in de formule

Hoe gebruik ik de Thickening Volume Conditioner?

  1. Was je haar eerst met een volumeshampoo.
  2. Knijp het overtollige water uit je haar.
  3. Werk een flinke klodder conditioner door je haar, van midden tot punt.
  4. Laat het 1 tot 2 minuten intrekken.
  5. Spoel daarna goed uit met lauwwarm water.

Wil je nog meer volume uit je wasbeurten halen? Gebruik de Thickening Volume Shampoo als eerste stap. De shampoo en conditioner zijn op elkaar afgestemd, waardoor je haar na het drogen merkbaar voller oogt.

Waarom werkt deze volume conditioner voor fijn haar zo goed?

Je haar voelt na gebruik direct voller en steviger aan. Dat komt doordat rijsteiwitten en maïseiwitten zich hechten aan de haarvezel en een dun laagje vormen dat elke haar iets dikker maakt. Panthenol, ook wel pro-vitamine B5 genoemd, trekt vocht aan en houdt je haar soepel, zodat het minder snel breekt.

Als lichte conditioner voor volume bevat de formule ook filmvormers die je haar omhullen zonder het plat te drukken. Zo krijg je de body van een rijke conditioner, maar zonder het zware gevoel. De Bumble & Bumble Thickening Volume Conditioner is daarmee een slimme keuze als je fijn haar meer leven wil geven.

Werkt de Bumble & Bumble Thickening Volume Conditioner voor dun haar?

Ja, dit product is precies gemaakt voor dun en fijn haar. Je haar voelt na gebruik voller aan en valt minder snel plat.

De lichte formule met eiwitten en filmvormers geeft structuur aan elk afzonderlijk haar, zonder het te verzwaren. Veel mensen met dun haar merken dat hun haar langer in model blijft en minder slap hangt in de loop van de dag. Als je wil weten of de Bumble & Bumble Thickening Volume Conditioner werkt voor dun haar: de combinatie met de bijpassende shampoo en stylingproducten uit de Thickening lijn geeft het sterkste resultaat.

Is de Bumble & Bumble Thickening conditioner goed voor vet haar?

Voor licht vet haar kan dit product prima werken. De formule is lichtgewicht en verzwaart je haar niet snel.

Breng de conditioner alleen aan op de middenlengte en punten, niet op je hoofdhuid. Zo voorkom je dat je haar sneller vet wordt. Als je haar snel plat en vet is, vraag je je misschien af of de Bumble & Bumble Thickening conditioner goed is voor vet haar. Bij heel vet haar kan de formule na verloop van tijd iets ophopen, waardoor je haar zwaarder gaat aanvoelen. Gebruik in dat geval een goede reinigende shampoo om dit te voorkomen.

Hoe verhoudt de Thickening Volume Conditioner zich tot andere opties?

De Bumble & Bumble Thickening Volume Conditioner onderscheidt zich door de balans tussen volume geven en toch zacht en glanzend haar. Veel volumeconditioners maken haar stroef of droog, maar deze formule combineert eiwitten en filmvormers met lichte siliconen en oliën. Zo krijg je body én een verzorgd gevoel.

Wil je liever geen siliconen in je routine? Dan is de Aveda Pure Abundance Volumizing Clay Conditioner een goed alternatief, met een meer natuurlijke formule. Heb je sterk beschadigd of geblondeerd haar? Dan heb je waarschijnlijk meer aan een rijkere, voedende conditioner zoals de Kérastase Densifique Fondant Densité.

Voor wie is de Bumble & Bumble Thickening Volume Conditioner dan de beste keuze? Voor iedereen met fijn, dun of slap haar die meer volume wil zonder inleveren op zachtheid en glans. Bekijk ook de Haarverzorging collectie voor meer opties per haartype.

Kan ik de Thickening Volume Conditioner dagelijks gebruiken?

Ja, je kunt dit product dagelijks gebruiken als je dat gewend bent. Het is licht genoeg voor regelmatig gebruik bij fijn haar.

Gebruik het in combinatie met een goede reinigende shampoo om ophoping van productresten te voorkomen. De conditioner bevat siliconen, die bij dagelijks gebruik zonder goede reiniging kunnen ophopen. Wissel af met een diep reinigende shampoo als je merkt dat je haar na verloop van tijd zwaarder aanvoelt. Wil je het maximale uit je routine halen? Combineer de conditioner dan met de Thickening Plumping Hair Mask als wekelijkse extra verzorging voor nog meer volume en veerkracht.

Ingrediënten & overige informatie

Water\Aqua\Eau, Cetearyl Alcohol, Stearamidopropyl Dimethylamine, Behentrimonium Chloride, Cetyl Alcohol, Isododecane, Stearyl Alcohol, Phyllanthus Emblica Fruit Extract, Oryza Sativa (Rice) Seed Protein, Hydrolyzed Yeast Protein, Hydrolyzed Corn Protein, Oryza Sativa (Rice) Bran Extract, Oryza Sativa (Rice) Extract, Pisum Sativum (Pea) Extract, Rosmarinus Officinalis (Rosemary) Leaf Extract, Helianthus Annuus (Sunflower) Extract, Ocimum Basilicum Hairy Root Culture Extract, Laurdimonium Hydroxypropyl Hydrolyzed Keratin, Helianthus Annuus (Sunflower) Seed Oil, Cocos Nucifera (Coconut) Oil, Hydrogenated Ethylhexyl Olivate, Caprylyl Glycol, Cetrimonium Chloride, Hydroxyethylcellulose, Ethylhexylglycerin, Amodimethicone, Propanediol, Guar Hydroxypropyltrimonium Chloride, Polysorbate 60, Isopropyl Alcohol, Methoxy Peg/Ppg‑7/3 Aminopropyl Dimethicone, Panthenol, C11‑15 Pareth‑7, Polysilicone‑15, Pentaerythrityl Tetra‑Di‑T‑Butyl Hydroxyhydrocinnamate, Hydrogenated Olive Oil Unsaponifiables, Cyperus Esculentus Root Oil, Glycerin, Trideceth‑12, Octyldodecanol, Alcohol, Laureth‑9, Tocopherol, Vp/Hexadecene Copolymer, Cystine Bis‑Pg‑Propyl Silanetriol, Jojoba Esters, Bht, Citric Acid, Fragrance (Parfum), Linalool, Limonene, Hexyl Cinnamal, Hydroxycitronellal, Phytic Acid, Disodium Edta, Phenoxyethanol, Sorbic Acid, Chlorphenesin, Sodium Benzoate

We raden je aan om voor gebruik altijd de ingrediëntenlijst op de verpakking te raadplegen voor de meest accurate informatie. Vanwege productvernieuwing en optimalisatie kan het voorkomen dat de hier vermelde ingrediënten afwijken van die op de verpakking.

Fabrikant Contact:

Whitman LBS NV
Nijverheidstraat 15
2260 Oevel
België
[email protected]

Shipping Notes
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SKU: 44551128192

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4.3 ★★★★★
Based on 21 reviews
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Product Reviews
M
Verified Purchase
MB
Bozeman, US
★★★★★ 5
Hydrating
New fav. My teenager loves it
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 10, 2026
R
Verified Purchase
Ruth
West Palm Beach, US
★★★★★ 3
It’s okay
I use it for a month. I saw no difference. It does give you a glow for a few minutes and it does hydrate. No scent and it didn’t break me out.
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Reviewed in the United States on March 19, 2026
L
Verified Purchase
Lana
West Palm Beach, US
★★★★★ 5
Good
Good
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Reviewed in the United States on January 22, 2026
D
Verified Purchase
dra
Fort Morgan, US
★★★★★ 5
Fractured pop art masterpiece
Walker (Lee Marvin) and Mal Reese (John Vernon) stage a robbery, stealing a bag of cash from some crooks conducting a delivery by helicopter in deserted Alcatraz. Reese double crosses Walker and leaves him for dead, taking off with the cash and Walker's wife. Walker survives, escapes from the island, and comes after Reese, and all the rest of his criminal organisation, with the mantra, "I want my $93,000." On this third or fourth viewing, I was struck less by what an exemplary action film this is (Marvin, the hardest man in the history of the movies, was at least as mean and relentless in The Killers), and more by how deeply artiness is infused into its structure and design. The recurrent flashing back and forward in time, especially at the start between the planning - not in the traditional meticulous heist film set up, just a series of fractured, barely linked brief meetings and conversations - and the robbery, but also Walker's thoughts returning to his betrayal, feed the predominant critical interpretation that Walker was fatally wounded on Alcatraz, and the whole film is his trying to process this and his fantasy of revenge. Boorman addresses this directly in the commentary, to the extent that he refuses to commit and says it's intended to be ambiguous. I'm now firmly in the dying-flashback camp, because of Walker's almost magical powers. (On reflection, it's like the question of whether Deckard is a replicant - you can enjoy debating it and looking for clues, but in the end the answer is yes.) He appears in new scenes and locations with no evidence of having travelled, and generally in a spiffy new outfit (more of this later) despite carrying nothing but his revolver, and, particularly in the central sequence, he evades being apprehended either by coincidence (the lift he's in opens and closes while the baddies waiting for the same lift are distracted by a commotion) or by the sheer application of cool (waiting immobile but scarcely invisible in an underground car park while his pursuer is gunned down by police). He also has an advisor/mentor, played by Keenan Wynn, who pops up in scenes like a cartoon character (he looks like a sort of dome shaped, bristle headed man in a suit who might appear in Ren and Stimpy) and gives Walker his next mission, while the two of them assiduously avoid eye contact as if one or both aren't really there. From Walker's re-emergence in the first of a series of natty suits, Point Blank is constructed as a series of set pieces. The first is the oddest, continuing the flashbacks and playing with chronology. Walker is seen striding intently down a corridor, and we hear the sound of his footsteps over a series of scenes of his meeting his wife, and the two of them sharing innocent good times with Reese. He confronts his wife, fires six shots into her bed before realising Reese isn't there. A scene later, she's dead after an apparent overdose. A scene after that, the body is gone, the apartment is bare, and Walker has boarded himself inside. Did Walker even see his wife? Had she died already? A messenger arrives from whom Walker extracts a name, and he's off chasing the next link. Walker meets care dealer Big John, whose yard has enormous signs in a jazzy '50s font. He asks for a test drive, buckles his seatbelt, and smashes the car between pillars (c.f. The Driver) until John spills the next name. The most self-consciously art-directed scene follows, in which Walker visits a nightclub which features both a bikini-clad go-go dancer and a trio playing something between jazz and James Brown. Tipped off by a flirtatious waitress that he's being followed, he ducks behind the stage, and fights two baddies while giant faces are projected on a huge screen behind him. In a moment that suggests Tarantino watched this while writing Inglourious Basterds, Walker pulls down a rack of celluloid canisters to trap one pursuer, and then returns things to some kind of action movie orthodoxy by subduing the other one with a haymaker to the groin. In the centrepiece, Walker meets his sister-in-law Chris (Angie Dickinson). Grief and his mission of revenge don't mean he misses the chance to share her bed, and emerge, manhood serenely unthreatened, in her borrowed yellow shortie robe. The colour scheme gets turned up to 11 at this stage, with Walker in a mustard shirt-sports jacket combo (his outfits get truly creative whenever he's bedded Angie - later, he sports a shirt somewhere between salmon and ruby grapefruit - which I guess is the wardrobe equivalent of Joseph Gordon Levitt's post-coital dance routine in (500) Days of Summer), Angie in a rockin' yellow shift dress and matching '60s mid-length coat (let down soon after by wearing something striped like a bee), and Reese in a light tan, crushed velour t-shirt that might be the least flattering male garment in cinema until Borat's mankini. Walker even finds a sightseeing telescope painted lemon yellow, which he casually dislocates from its moorings to scope out Reese's penthouse lair. Once Reese is dealt with, the movie shifts into an early example of crime-as-big-business. Reese's boss is Carter, whose sleek Mad Men-style office and threads are matched by his resemblance to that series' Ted. According to IMDb, Lloyd Bochner, who plays Carter, was doing voice-over work from age eleven, and between him, Vernon's baritone (you know how it sounds - like Dean Wormer: "Fat, drunk and stupid is no way to go through life, son."), and Marvin's basso profundo, there's a meeting of male voices unmatched until, say, Brideshead Revisited. Around this point the architecture of LA attracts more and more focus, both modernist glass towers and the concrete culvert of the LA River, where a sniper lurks who might have inspired the climactic shooter in Get Carter. The commentary is conducted as a dialogue between Boorman and Soderbergh, who, if you've seen this, early Nic Roeg (Performance and Don't Look Now), and were already acquainted with the colour yellow, seems less original than he otherwise might. He has the decency to open by talking about how many times he's stolen from Point Blank. He's not the only one though. Point Blank deconstructs and toys with the action film as knowingly as anything in the 45+ years since, up to and including Archer and the entire oeuvre of Shane Black. Just when it's in danger of becoming too clever to be satisfying as a genre piece, it gets your attention with a pistol whipping, a punch to the groin, or the rarely-shown actual end result of the villain-takes-a-long-fall thing. And of course there's Marvin, who, whether dressed like a dandy, wearing a robe, or looking baffled when the next corporate criminal explains that they just don't have $93,000 to hand over, can't be beat. Seriously, you're not obliged to love it, but you have to see it at least once.
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Reviewed in the United States on May 3, 2014
J
Verified Purchase
J. H. Haley
Massapequa, US
★★★★★ 4
Lee Marvin's best
Finally it's in dvd. Been looking for it for years. Point Blank is Lee Marvin's best movie, the best character for him, and has his best tag line. I'll leave that for you to find. (It has to with seat belts.) The movie is aptly named. The plot is steam-roller direct, but the director uses some arty time-lapse devices that either distract by conflicting with the directness of the character and the plot, or enhance by providing depth and interest, I can't decide. But they do jarr a little and seem dated. I suppose I do like the uniqueness they add. It's a really good Lee Marvin movie, and Angie Dickinson to boot. Who remembers her answer when Johnny Carson asked her whether she dressed to please herself or others? Memorable.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 25, 2007

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