SKU: 17473616239

WOOOD Industriële Vitrinekast Exhibit 170 x 99cm - Zwart - BePureHome

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Description

WOOOD Industriële Vitrinekast Exhibit 170 x 99cm - Zwart - BePureHomeDe WOOOD Industrile Vitrinekast Exhibit 170 x 99cm Zwart BePureHome is een krachtige, eigentijdse vitrinekast met een stoere uitstraling. De kast is vervaardigd uit zwart ijzer met een matte look en heeft glazen deuren, waardoor je favoriete woonaccessoires stijlvol zichtbaar blijven. Belangrijkste kenmerken Industrile vitrinekast van ijzer en glas Uitgevoerd in zwart met matte poedercoating Voorzien van vier metalen legplanken Afmetingen: H 173 x B

De WOOOD Industriële Vitrinekast Exhibit 170 x 99cm - Zwart - BePureHome is een krachtige, eigentijdse vitrinekast met een stoere uitstraling. De kast is vervaardigd uit zwart ijzer met een matte look en heeft glazen deuren, waardoor je favoriete woonaccessoires stijlvol zichtbaar blijven.

Belangrijkste kenmerken

  • Industriële vitrinekast van ijzer en glas
  • Uitgevoerd in zwart met matte poedercoating
  • Voorzien van vier metalen legplanken
  • Afmetingen: H 173 x B 99 x D 45 cm
  • Draaggewicht per plank: 20 kg
  • Gewicht: 53 kg
  • Eenvoudig zelf te monteren

Materiaal en afwerking

Deze Exhibit vitrinekast komt uit de collectie van het Nederlandse merk WOOOD en is gemaakt van metaal met een trendy, matte coating. De poedercoating hecht zich met hoge temperaturen aan het metaal en zorgt voor een volledige kleurdekking en een luxe uitstraling. De metalen planken maken de kast extra robuust en geschikt voor het presenteren van decoratie, servies of woonaccessoires.

Afmetingen

  • Hoogte: 173 cm
  • Breedte: 99 cm
  • Diepte: 45 cm
  • Hoogte vakken: 29-31 cm
  • Afmeting deuren: 157 x 45 cm
  • Afmeting handgrepen: 64 x 3,5 cm
  • Poothoogte: 8,5 cm

Onderhoud en veiligheid

Behandeld metaal is eenvoudig schoon te houden met een lichtvochtige doek. Door het oppervlak na te drogen voorkom je strepen. Voor meubelen hoger dan 50 cm wordt muurbevestiging aangeraden. De montage van valpreventie helpt ongelukken en kantelen voorkomen.

Stylingadvies

Deze zwarte metalen vitrinekast past perfect in een industrieel interieur. Combineer de kast met glas, zwart staal en natuurlijke materialen voor een stoer en eigentijds geheel. Gebruik de open zichtlijnen van het glas om je mooiste servies, boeken of decoratieve objecten extra goed tot hun recht te laten komen.

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SKU: 17473616239

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Stephanie Kelly
Los Angeles, US
★★★★★ 5
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My daughter love this book. We read it over and over again until I had to make her choose something different t. The story is so cute and the illustrations are really fun.
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Reviewed in the United States on March 29, 2026
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Keri
Port Orchard, US
★★★★★ 5
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Format: Hardcover
Love this book. I bought two of the other books in this series. My niece loved it.
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Reviewed in the United States on April 3, 2026
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Samantha Laubenstine
Cuba, US
★★★★★ 5
Perfect for spring time!
Format: Hardcover
Such a great book series I love reading it to my boys!
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Reviewed in the United States on March 31, 2026
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Ashley Mandrell
San Leandro, US
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Format: Hardcover
This is a super cute book! It teaches about spring and we enjoy reading it!
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Reviewed in the United States on February 19, 2026
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Don Morris
Grantham, US
★★★★★ 5
"Racial Capitalism"
Format: Paperback
Cedric J. Robinson’s Black Marxism is first a history of Black people appearing in historical texts as far back as Herodotus (c. 484 – c. 425 BCE) in ancient Greece, and second a history of “the collisions of the Black and white ‘races’ beginning in the fifteenth and sixteenth centuries.” Robinson’s thesis connects the evolution of capitalism to its roots in racism (racialism) understood in broad terms to comprise the subjugation of one class/group/nation/race by another (the Irish by the English in the nineteenth century, for example). He uses the term “racial capitalism” to express this process—the necessity of opposing classes for the function of capitalism. As a result, “racialism,” he says, “would inevitably permeate the social structures emergent from capitalism.” Keynes attributed the slow change in the “standard of life of the average man” until the beginning of the eighteenth century to “the remarkable absence of important technical improvements and to the failure of capital to accumulate.” Capital is accumulated, in Marx’s view, through the accretion of “surplus labor” which is the extra time a worker “must add to the working time necessary for his own maintenance . . . in order to produce the means of subsistence for the owners of the means of production.” Robinson ties capitalism’s early exploitation of surplus labor to slave labor and the slave trade noting, “historically, slavery was a critical foundation for capitalism.” Robinson traces the forced transport of Black people from Africa (the diaspora) to Europe, as well as Central, South, and North America as a foundation of early capitalism (and slavery as its form of “primitive accumulation” of capital). In his discussions of slavery, Robinson stresses the sense of the enslaved people with respect to their captors in terms of the slaves’ resistance, hostility, and defiance of the masters—their “Black radicalism.” As Robinson’s text approaches the twentieth century and the influence of Marx, his focus narrows to the significance and character of specific Black leaders including W. E. B. Du Bois, C. L. R. James, and Richard Wright and their respective connections to Marxism’s diverse interpretations. Marxism, says Robinson, “has proven insufficiently radical to expose and root out the racialist order that contaminates its analytic and philosophic applications or to come to effective terms with the implications of its own class origins.”
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Reviewed in the United States on September 2, 2022

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