SKU: 84943922471

Roland KC200 100-Watt 1x12" 4-Channel Keyboard Amplifier (KC-200)

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Description

Roland KC200 100-Watt 1x12" 4-Channel Keyboard Amplifier (KC-200)WORTH IT EVERY TIME For over two decades, keyboard players everywhere have relied on Roland's KC amps for their powerful high fidelity sound, onboard mixing features, versatile connectivity, and lasting durability. The latest generation carries on the time honored KC benchmark of quality while offering new enhancements tuned for the needs of today's working musicians. With a KC amp by your side, you're in complete control of your stage rig, so you'll

WORTH IT EVERY TIME

For over two decades, keyboard players everywhere have relied on Roland's KC amps for their powerful high-fidelity sound, onboard mixing features, versatile connectivity, and lasting durability. The latest generation carries on the time-honored KC benchmark of quality while offering new enhancements tuned for the needs of today's working musicians. With a KC amp by your side, you're in complete control of your stage rig, so you'll always sound great and play your best. And that's worth it every time.

Compact and affordable, the KC-200 features 100 watts of power and an integrated mixer with four line input channels, a dedicated aux input, and support for an XLR vocal mic. Compared to the previous-generation KC-150, the power section has been completely redesigned for higher output, better stability, and enhanced bass reproduction. In addition, the 12-inch woofer has been upgraded for improved sound quality. On its own, the KC-200 delivers big sound in a highly mobile package. If desired, the low-end performance can be extended by driving a powered subwoofer from the amp's Sub Out jack.

 

  • Compact and affordable keyboard amplifier with 100 watts of power
  • Redesigned power amp and power supply sections provide increased stability and improved bass reproduction
  • Custom two-way speaker system with newly developed 12-inch woofer and tweeter
  • Onboard mixing with four 1/4-inch line input channels, dedicated auxiliary input with 1/8-inch and RCA jacks, and master EQ
  • Channel 4 provides dedicated monitor functionality for click and guide tracks
  • XLR mic input, 1/4-inch line output, headphones output, and sub output
  • Metal jacks for increased durability
  • Full-Range Sound for Keyboards and Electronic Musical Instruments

    The KC-200 offers full-range audio reproduction in a compact amp with 100 watts of power. The cabinet features Roland's patented twin bass-reflex design, providing extended low-frequency response without distortion. Paired with the newly redesigned power section and updated 12-inch woofer, the KC-200 delivers even better bass performance for amplifying 88-note stage pianos, organs, and synthesizers, plus rhythm machines and other electronic instruments.

  • Onboard 4+1 Mixing

    The KC-200's four 1/4-inch line input channels support keyboards, drum machines, and various electronic instruments. There's also an auxiliary channel with 1/8-inch and RCA inputs for connecting smartphones, music players, or other devices. Channel 1 includes an XLR input too, letting you plug in a vocal mic for even more versatility. Channel 4 is dedicated to monitoring through the KC-200's onboard speakers and headphones jack; this allows you to monitor click or guide tracks while performing without sending the sound to a PA via the amp's line out jack.

  • Versatile Connectivity for Performing, Recording, and Practice

    With its easy-access connectivity, the KC-200 integrates into any playing environment. A 1/4-inch line output enables you to interface with PA systems, stage monitors, and recording devices. There's also a Sub Out jack for connecting to a powered subwoofer, with level conveniently tied to the amp's master volume for one-touch control. Plugging into the Phones jack mutes the onboard speakers and Sub Out, perfect for private practice sessions and checking sounds on stage with headphones.

 

SPECIFICATIONS

Rated Power Output:  
100 W

Nominal Input Level (1 kHz):  
CH1 (XLR type, MIC/LINE): -50-- -20 dBu
CH2 (LINE): -20 dBu
CH3 (LINE): -20 dBu
CH4 (MONITOR): -20 dBu
AUX IN (L, R, STEREO): -10 dBuNominal Output Level (1 kHz)LINE OUT: +4 dBu
SUB OUT: +4 dBuSpeakers30 cm (12 inches) Woofer x 1
Tweeter x 1

PowerConnectors:  
CH1 jack: XLR type
CH1 (MIC/LINE) jack: 1/4-inch phone type
CH2 (LINE) jack: 1/4-inch phone type
CH3 (LINE) jack: 1/4-inch phone type
CH4 (MONITOR) jack: 1/4-inch phone type
AUX IN (L, R) jacks: RCA phono type
AUX IN (STEREO) jacks: Stereo miniature phone type
LINE OUT jack: 1/4-inch phone type
SUB OUT jack: 1/4-inch phone type
PHONES jack: 1/4-inch TRS phone type (mono signal output)

Power Consumption:  
70 W

SIZE AND WEIGHT
Width: 480 mm
Depth: 295 mm
Height: 435 mm
Weight: 15 kg  


* 0 dBu = 0.775 Vrms*The specifications are subject to change without notice.

 

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SKU: 84943922471

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Honest Reviews
San Leandro, US
★★★★★ 5
Truly "essential" for any letterer, whether casual or serious about the profession!
Format: Paperback
When I first got this book, I was a bit disappointed. I thought it was going to be detailing lettering by hand. It didn't. But guess what? It's better for it. As the author, Nate Peikos, demonstrates, the bulk of lettering now is done digitally and with good reason. So not only is this book incredibly inspiring for any graphic artist / letterer -- with its many examples of great lettering; its demonstration of useful techniques -- the author is so open and honest in his writing. While reading it, you don't feel that he's putting the job of lettering out of the reader's reach. In fact, he's putting it right within reach through a humility that is coupled with his exceptional skills. If you're an up-and-coming letterer, someone on the outskirts of lettering wanting to delve into it more professional (like myself), or even if you've had some work doing lettering, there is something for each type in this book. It's a book that I'll cherish and reference frequently, especially with all the examples that just ooze inspiration. My only regret is that I didn't know about some of these techniques a few years ago! But, nevertheless, I started implementing some of the techniques the first day after reading just a few pages. It reinvigorated my own desire to become a better and even semi-professional letterer, a very under-appreciated profession.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 5, 2021
S
Verified Purchase
Simon C
Battle Creek, US
★★★★★ 4
A great overall book, with one critical omission.
Format: Paperback
This is a great book to illuminate the mysterious art of comicbook lettering. It goes deep into the practical details and theory required to make a graphic novel, manga, or superhero comic with the look and feel of a professional product. But comicbook lettering is actually more than a purely aesthetic art form, it plays a critical role in conveying meaning, emotional mood, and tone of voice. Along with the artwork and panel composition, the layout of the lettering and dialogue balloons is also critical to help guide the reader's eyes naturally from panel to panel. If you're curious about how graphic design for visual narrative works, this is an interesting and inspiring book. My only criticism is the conspicuous omission of perhaps the one topic this author is uniquely qualified to illuminate, and that is: the actual creation of the fonts themselves. I've admired Nate's Blambot comic fonts for a long time (and have purchased licenses for some of them), so I was looking forward to at least getting an overview of how he approaches this seemingly critical aspect of comicbook lettering. But no. He doesn't go into it even slightly, which is a shame, because this would have been the perfect book on the topic if he had. I understand that font design is a huge topic unto itself, but was disappointed that in a book of this size, there weren't even a few pages dedicated to discussing the process of making fonts for comicbooks. Literally anyone reading this book would want to know that information. Having said that, it's a great book, and I still enjoyed it very much. You'll probably be surprised by how much more there is to learn about this topic than you may have thought. Reading it will deepen your appreciation for an art form that, like a great movie score, is basically invisible when done very well, yet amplifies the emotional impact of each contributing discipline, and profoundly contributes to the enjoyment of the final experience.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 22, 2022
S
Verified Purchase
Scott Calvert
Chelsea, US
★★★★★ 5
A Lettering Masterclass
Format: Paperback
Nate Piekos is a rockstar. If you want it learn how to letter comics, this is the first thing I would buy. It’s not a fancy book, just practical step-by-step how to do a craft right.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 30, 2026
B
Verified Purchase
Bishop A.
Boise, US
★★★★★ 5
Title says it all: ESSENTIAL!
Format: Paperback
This is a FANTASTIC book! The information may seem overwhelming at first, but it is easy to understand. As some reviewers said, it does not spend much time on hand lettering (I assume this is due to the industry going more digital as time goes on). Those who want more information on hand lettering may have to seek help elsewhere. It is mentioned VERY briefly in the beginning, I believe. It includes: step by step instructions on creating speech bubbles, tips on font creations, sentence formatting, page borders, splash/double splash page construction, creating templates that save you time in the long run, making logos, sound effects and much more. This book is a great launching point for anyone looking to start their lettering career or even for anyone that wants to gain an appreciation for an intergral and often overlooked part of Comic books!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 28, 2022
B
Verified Purchase
Bob B.
San Leandro, US
★★★★★ 5
One of the Best "Making Comics" Books Out There
Format: Kindle
Honestly, one of the best books on making comics that I've read. So well done, insightful, well-organized, and easily referential. If you're looking for the basic principles of lettering, look no further than this.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 22, 2025

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