SKU: 71875311788

Currents of Tradition in Chinese Medicine 1626 to 2006

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Currents of Tradition in Chinese Medicine 1626 to 2006In 1626, a young man named Fei Shangyou moved his family to Menghe, a small town in the Yangzi delta of China. According to family legend, he abandoned his career as a scholar and began working as a physician. In doing so, he founded a medical lineage that continues to the present day. This book describes the development, flourishing, and decline of this lineage and its many branches, as well as that of the other medical lineages and families with

In 1626, a young man named Fei Shangyou moved his family to Menghe, a small town in the Yangzi delta of China. According to family legend, he abandoned his career as a scholar and began working as a physician. In doing so, he founded a medical lineage that continues to the present day. This book describes the development, flourishing, and decline of this lineage and its many branches, as well as that of the other medical lineages and families with which it merged over time to form the “current of Menghe learning” (Menghe xuepai). 

This current and its offshoots produced some of the most influential physicians in the Chinese medical tradition during the 19th and 20th centuries. Menghe physicians, their disciples and students treated emperors, imperial mandarins, Nationalist Party generals, leading figures in the Communist Party, affluent businessmen, and influential artists.

In late imperial China, Menghe medicine was a self-conscious attempt to unite diverse strands of medical learning into one integrated tradition centered on ancient principles of practice. In Republican Shanghai, Menghe physicians and their students were at the forefront of medical modernization, establishing schools, professional associations, and journals that became models for others to follow. During the 1950s and 1960s, the heirs of Menghe medicine were key players in creating the institutional framework for contemporary Chinese medicine. Their students are now practicing all over the world, shaping Chinese medicine in Los Angeles, New York, Oxford, Mallorca, and Berlin.

The history of the Menghe current is relevant to anyone interested in the development of Chinese medicine in late imperial and modern China. This book traces Chinese medical history along the currents created by generations of physicians linked to each other by a shared heritage of learning, by descent and kinship, by sentiments of native place as well as nationalist fervor, by personal rivalries and economic competition, by the struggle for the survival of tradition and glorious visions of a new global medicine.

On the level of both theory and practice, this history marks a departure from the focus on texts and ideas that has dominated Western engagement with Chinese medicine to date. Its goal is to locate medicine within the concrete lives of physicians and their patients, restoring an agency to their actions that easily gets lost in our search for the forces or structures that shape historical process. To this end, the author interweaves social history and medical case studies, ethnography and biography to narrate a story of Chinese medicine that is very different from any that has been told before.

Read an excerpt (PDF)

Contents

Part 1 Late Imperial China

  • Economy and Society in Late Imperial China: Jiangnan, Wujin, and Menghe 
  • The Scholarly Medical Tradition in Late Imperial China: Origins, Problems, and New Departures 
  • The Origins of Menghe Medicine 
  • The Flourishing of Menghe Medicine 
  • Medical Lineages and Master Disciple Networks: The Eastward Spread of Menghe Medicine 
  • Fei Boxiong and the Menghe Medical Style

Part 2 Republican China

  • Chinese Medicine in Shanghai: Native Place and the 
  • The Modernization of Chinese Medicine in Republican China: From Medical Reform to Medical Revolution 
  • The Birth of the Menghe Current: Ding Ganren and the Transformation of Chinese Medicine in Republican Shanghai 
  • From Shanghai to New York: Ding Family Medicine after Ding Ganren 
  • The Development of Ding Family Medicine: Clinical Efficacy and Personal Identity

Part 3 Contemporary China

  • Chinese Medicine in Maoist and Post-Maoist China: The Institutionalization of Tradition and Its Discontents 
  • Inheriting and Developing Tradition: Three Exemplary Biographies 
  • Wujin Medicine Remembered: Tradition and the Labor of Social Memory

Reviews

"A superb study that speaks both to medical historians and anthropologists, and to the increasingly globalized communities of contemporary practitioners of Chinese medicine. Scheid’s work is unique in integrating a subtle understanding of historical multiplicity with insights based on his own clinical experience."
—Charlotte Furth, Professor of Chinese History, University of Southern California

"At the beginning of this astonishing book, Volker Scheid raises the most fundamental, most daunting questions in medical history: First, what is a medical tradition? What makes us see stable structures in a world where the only constant rule is change? What maintains them in a society where medicine was not an organized profession? What gives birth to such a tradition? How does it die? . . . Currents of Tradition in Chinese Medicine grapples on every page with these practically unexamined questions, and develops as convincing a set of answers as we are likely to have for a long time."
—From the Foreword by Nathan Sivin, Professor of Chinese Culture and the History of Science, University of Pennsylvania

"Combines sophisticated arguments about social processes and processes of remembering with the specific histories of individual physicians and their colleagues, patients, aspirations, and clinical styles. . . . Historians, anthropologists, practitioners and patients will all find gems that please them in this remarkable new contribution to the field."
—Marta Hanson, Assistant Professor, Department of History of Medicine, Johns Hopkins University

"This book fills an important gap. There are few works available on the history of Chinese medicine, the development of the Chinese medical tradition and the transmission of medical knowledge in China. It is an essential point of reference for any practitioner of Chinese medicine who wants to reach beyond the narrow circle of knowledge acquired in the course of gaining a professional qualification, and who wants at least to try to connect with his or her ‘ancestors.’ It is also relevant because it reveals the fragility of the Chinese medical tradition, something we might not have suspected or thought about. It is as fragile as memory itself. And thus we have the responsibility of keeping it alive."
—Olga Fedina, European Journal of Oriental Medicine

"Those interested in the history of the multifaceted tradition of Chinese medicine will find this an intriguing look behind the veil of current orthodoxy to a practice where, for example, self-cultivation could form the basis for clinical efficacy. An inspiring book."
—Steve Clavey, author, Fluid Physiology and Pathology in Traditional Chinese Medicine

"As a student of Qin Bowei, and therefore part of the Menghe tradition myself, I wholeheartedly recommend this text as an introduction to the depth of the Chinese medical tradition."
—Wu Boping, Professor, China Academy of Chinese Medical Sciences

"Currents of Tradition in Chinese Medicine is essential reading for anyone seeking a nuanced understanding of Chinese medicine and the social dynamics that have shaped it over time."
—Yi-Li Wu, Bulletin of the History of Medicine

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4.0 ★★★★★
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Rachel S.
Belleville, US
★★★★★ 5
Exquisite, enrapturing
Format: Paperback
Loved the gritty, visceral language and the epic nature of this poem. Notely blows me away -- the loss of memory, the tangled and eternal subway, the owls and masks.
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Reviewed in the United States on May 29, 2014
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Eileen O Malley Callahan
Lexington, US
★★★★★ 5
Five Stars
Format: Paperback
Brilliant, lucid, engaging and brave, a feminist chthonic journey shimmering with poetic bravado.
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Reviewed in the United States on December 18, 2014
J
JeFF Stumpo
Pawtucket, US
★★★★★ 5
A Feminist Divine Comedy?
Format: Paperback
Let me start with this: The Descent of Alette is difficult to read at first. Notley "puts quotation marks around" "groups of words" "in lines" "that can be off-putting." Note that I'm not quoting from the book there, just giving an example of what the book's text appears like. This forces us to read more slowly, taking in each line a few words at a time. What appears to be awkward is in fact a great solution to the speed-reading most of us do these days. That being said, it's troublesome for the first few poems, less so after that, virtually invisible by the end of the first section. When talking about this book, I immediately compare it to Dante's Divine Comedy, and I commonly see others do the same (see an earlier review here on Amazon.com). Exchange Hell for a subway, and you've basically got it: an underground realm ruled over by a Tyrant, poor souls being tortured, though in this case there is no indication that they have done anything to deserve it. Notley's language might not be quite as beautiful/harsh as Dante's, but her images stand with anything he created. After introducing two characters on a subway, a woman and her baby, both on fire, Notley writes: "another woman" "in uniform" "from above ground" "entered" "the train" "She was fireproof" "she wore gloves, & she" "took" "the baby" "took the baby" "away from the" "mother" "Extracted" "the burning baby" "From the fire" "they made together" "But the baby" "still burned" ("But not yours" "It didn't happen" "to you") "We don't know yet" "if it will" "stop burning," "said the uniformed" "woman" "The burning woman" "was crying" "she made a form" "in her mind" "an imaginary" "form" "to settle" "in her arms where" "the baby" "had been" "We saw her fiery arms" "cradle the air" "She cradled air" ("They take your children" "away" "if you"re on fire") "In the air that" "she cradled" "it seemed to us there" "floated" "a flower-like" "a red flower" "its petals" "curling flames" "She cradled" "seemed to cradle" "the burning flower of" "herself gone" "her life" ("She saw" "whatever she saw, but what we saw" "was that flower") After surviving the horrors of the subway, Alette goes even deeper underground, passing through a series of psychological challenges that at times seem straight out of Freud, at times out of Classical mythology, at times out of collective dreams. Throughout it all, we learn more and more about Alette, who is not just a "hero" who goes through the motions necessary to the plot, but who considers and stumbles and is confused and learns. The third section of the book is a rebirth, wherein Alette finds a source for a stronger power than the Tyrant's, and it is distinctly feminist in its nature. I need to note here for those who react to feminism in a knee-jerk way: Notley's feminism is not a militant feminism, though it requires brief "military" action on Alette's part. Men are helpful in the story, have purpose besides being the bad guy. If anything, what Notley attacks in the form of the Tyrant is the idea of a corrupt masculinity, a kind of Big Brother who would easily stand as an antagonist in any number of 20th/21st century literary works. Alette's feminism is the discovery of her place in the world, and that place is not slaving away mindlessly for the Tyrant, not acting as just a womb or pair of hands or pretty face. It's a nuanced message, despite the epic (and therefore presumably black-and-white) nature of the whole book. The fourth section is the showdown with the Tyrant, a great deal of philosophizing, and an ending that I actually find more satisfying than that of Paradiso. I won't spoil it here, but it just works extremely well in conjunction with the themes of Descent as a whole. If you want to be challenged, if you want to think deep thoughts, if you want surreality and magic, pick up The Descent of Alette. For even more interesting reading from the author and her partner, you could also turn to The Scarlet Cabinet, which contains but actually predates the on-its-own publication of Descent.
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Reviewed in the United States on October 11, 2010
K
Kent Shaw
Alexandria, US
★★★★★ 5
A Contemporary Epic
Format: Paperback
I have a complicated relationship with most of the books I've read by Alice Notley. I admire her facility with the lyric, her ability to get just beneath a concept or sentiment using a very talk-y style so that I always feel like I'm with whatever speaker she's using, inside that mind and her mind all at once. This is a good kind of complication. It's one I yearn for with poems. The unpleasant complications are when I feel as though I'm just being subjected to her unedited notebook entries. Too much, too much, too much. It comes up especially with her book Mysteries of Small Houses. I mention these difficulties only to sharpen the accomplishment of The Descent of Alette. Like other reviewers, I feel the tonal similarities to Dante's Inferno. Which becomes a subversive allusion considering Alette seeks after a male Tyrant in order to destroy him, while Dante sought after his Beatrice out of desire. But I read and reread Alette, because Notley continually subverts patriarchal conventions in the book. I actually find I crave the speaker's intellect, and the mythic logic that gives the book its arc. I want it more. Yes, there are quotations around each fragment in the poems. I actually appreciate them for slowing my reading down, and for sharpening my focus on the use of Notley's language. And it's not just a stylistic tic, or something to be endured. It could actually be described as further subversion of The Tyrant Alette pursues.
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Reviewed in the United States on August 25, 2011
R
Verified Purchase
Raquel Wilbon
Port Orchard, US
★★★★★ 2
Imagery and diction
Format: Paperback
This book was very challenging to read because everything was written in quotations however, it was intriguing as a different way of writing poetry.
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Reviewed in the United States on August 11, 2020

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