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Various: Baroque - 25CDGenre: Classical Format: CD Track List: Concerto A5 In D Minor, Op. 9 No. 2: I. Allegro E Non Presto Concerto A5 In D Minor, Op. 9 No. 2: II. Adagio Concerto A5 In D Minor, Op. 9 No. 2: III. Allegro Concerto A5 In C Major, Op. 7 No. 2: I. Allegro Concerto A5 In C Major, Op. 7 No. 2: II. Adagio Concerto A5 In C Major, Op. 7 No. 2: III. Allegro Concerto A5 In D Major, Op. 7 No. 6: I. Allegro Concerto A5 In D Major, Op. 7 No. 6: II. Adagio Concerto A5 In

Genre: Classical

Format: CD

Track List:

  1. Concerto A5 In D Minor, Op. 9 No. 2: I. Allegro E Non Presto
  2. Concerto A5 In D Minor, Op. 9 No. 2: II. Adagio
  3. Concerto A5 In D Minor, Op. 9 No. 2: III. Allegro
  4. Concerto A5 In C Major, Op. 7 No. 2: I. Allegro
  5. Concerto A5 In C Major, Op. 7 No. 2: II. Adagio
  6. Concerto A5 In C Major, Op. 7 No. 2: III. Allegro
  7. Concerto A5 In D Major, Op. 7 No. 6: I. Allegro
  8. Concerto A5 In D Major, Op. 7 No. 6: II. Adagio
  9. Concerto A5 In D Major, Op. 7 No. 6: III. Allegro
  10. Concerto A5 In C Major, Op. 9 No. 9: I. Allegro
  11. Concerto A5 In C Major, Op. 9 No. 9: II. Adagio
  12. Concerto A5 In C Major, Op. 9 No. 9: III. Allegro
  13. Concerto A5 In D Major, Op. 7 No. 8: I. —
  14. Concerto A5 In D Major, Op. 7 No. 8: II. Largo
  15. Concerto A5 In D Major, Op. 7 No. 8: III. Allegro
  16. Concerto A5 In C Major, Op. 9 No. 5: I. Allegro
  17. Concerto A5 In C Major, Op. 9 No. 5: II. Adagio
  18. Concerto A5 In C Major, Op. 9 No. 5: III. Allegro
  19. Concerto A5 In B-Flat Major, Op. 7 No. 3: I. Allegro
  20. Concerto A5 In B-Flat Major, Op. 7 No. 3: II. Adagio
  21. Concerto A5 In B-Flat Major, Op. 7 No. 3: III. Allegro
  22. Concerto A5 In F Major, Op. 9 No. 3: I. Allegro
  23. Concerto A5 In F Major, Op. 9 No. 3: II. Adagio
  24. Concerto A5 In F Major, Op. 9 No. 3: III. Allegro
  25. Brandenburg Concerto No. 1 in F Major, BWV 1046: I. —
  26. Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio
  27. Brandenburg Concerto No. 1 in F Major, BWV 1046: III. Allegro
  28. Brandenburg Concerto No. 1 in F Major, BWV 1046: IV. Menuet – Trio I – Polonaise – Trio II
  29.  
  30. Brandenburg Concerto No. 2 in F Major, BWV 1047: I. —
  31. Brandenburg Concerto No. 2 in F Major, BWV 1047: II. Andante
  32. Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assai
  33. Brandenburg Concerto No. 3 in G Major, BWV 1048: I. —
  34. Brandenburg Concerto No. 3 in G Major, BWV 1048: II. Adagio
  35. Brandenburg Concerto No. 3 in G Major, BWV 1048: III. Allegro
  36. Brandenburg Concerto No. 4 in G Major, BWV 1049: I. Allegro
  37. Brandenburg Concerto No. 4 in G Major, BWV 1049: II. Andante
  38. Brandenburg Concerto No. 4 in G Major, BWV 1049: III. Presto
  39. Brandenburg Concerto No. 5 in D Major, BWV 1050: I. Allegro
  40. Brandenburg Concerto No. 5 in D Major, BWV 1050: II. Affettuoso
  41. Brandenburg Concerto No. 5 in D Major, BWV 1050: III. Allegro
  42. Brandenburg Concerto No. 6 in B Major, BWV 1051: I. —
  43. Brandenburg Concerto No. 6 in B Major, BWV 1051: II. Adagio ma non tanto
  44. Brandenburg Concerto No. 6 in B Major, BWV 1051: III. Allegro
  45. Violin Concerto in E Major, BWV 1042: I. Allegro
  46. Violin Concerto in E Major, BWV 1042: II. Adagio
  47. Violin Concerto in E Major, BWV 1042: III. Allegro assai
  48. Violin Concerto in A Minor, BWV 1041: I. —
  49. Violin Conceto in A Minor, BWV 1041: II. Andante
  50. Violin Concerto in A Minor, BWV 1041: III. Allegro assai
  51. Violin Concerto in D Minor: I. —
  52. Violin Concerto in D Minor: II. Adagio
  53. Violin Concerto in D Minor: III. Allegro
  54. Violin Concerto in G Minor: I. —
  55. Violin Concerto in G Minor: II. Largo
  56. Violin Concerto in G Minor: III. Presto
  57. Concerto for 2 Violins in D Minor, BWV 1043: I. Vivace
  58.  
  59. Concerto for 2 Violins in D Minor, BWV 1043: II. Largo, ma non tanto
  60. Concerto for 2 Violins in D Minor, BWV 1043: III. Allegro
  61. Orchestral Suite in C Major, BWV 1066: I. Ouverture
  62. Orchestral Suite in C Major, BWV 1066: II. Courante
  63. Orchestral Suite in C Major, BWV 1066: III. Gavotte I & II
  64. Orchestral Suite in C Major, BWV 1066: IV. Forlane
  65. Orchestral Suite in C Major, BWV 1066: V. Menuet I & II
  66. Orchestral Suite in C Major, BWV 1066: VI. Bourrée I & II
  67. Orchestral Suite in C Major, BWV 1066: VII. Passepied I & II
  68. Orchestral Suite in B Minor, BWV 1067: I. Ouverture
  69. Orchestral Suite in B Minor, BWV 1067: II. Rondeau
  70. Orchestral Suite in B Minor, BWV 1067: III. Sarabande
  71. Orchestral Suite in B Minor, BWV 1067: IV. Bourrée I & II
  72. Orchestral Suite in B Minor, BWV 1067: V. Polonaise I & II
  73. Orchestral Suite in B Minor, BWV 1067: VI. Menuet
  74. Orchestral Suite in B Minor, BWV 1067: VII. Badinerie
  75. Orhestral Suite in D Major, BWV 1068: I. Ouverture
  76. Orchestral Suite in D Major, BWV 1068: II. Air
  77. Orchestral Suite in D Major, BWV 1068: III. Gavotte I & II
  78. Orchestral Suite in D Major, BWV 1068: IV. Bourrée
  79. Orchestral Suite in D Major, BWV 1068: V. Gigue
  80. Orchestral Suite in D Major, BWV 1069: I. Ouverture
  81. Orchestral Suite in D Major, BWV 1069: II. Bourrée I & II
  82. Orchestral Suite in D Major, BWV 1069: III. Gavotte
  83. Orchestral Suite in D Major, BWV 1069: IV. Menuet I & II
  84. Orchestral Suite in D Major, BWV 1069: V. Réjouissance
  85. Concerto grosso No. 1 in D Major, Op. 6: I. Largo – Allegro
  86. Concerto grosso No. 1 in D Major, Op. 6: II. Largo – Allegro
  87.  
  88. Concerto grosso No. 1 in D Major, Op. 6: III. Largo
  89. Concerto grosso No. 1 in D Major, Op. 6: IV. Allegro
  90. Concerto grosso No. 1 in D Major, Op. 6: V. Allegro
  91. Concerto grosso No. 2 in F Major, Op. 6: I. Vivace – Allegro
  92. Concerto grosso No. 2 in F Major, Op. 6: II. Largo andante
  93. Concerto grosso No. 2 in F Major, Op. 6: III. Allegro
  94. Concerto grosso No. 2 in F Major, Op. 6: IV. Grave – Andante largo
  95. Concerto grosso No. 2 in F Major, Op. 6: V. Allegro
  96. Concerto grosso No. 3 in C Minor, Op. 6: I. Largo
  97. Cncerto grosso No. 3 in C Minor, Op. 6: II. Allegro
  98. Concerto grosso No. 3 in C Minor, Op. 6: III. Grave
  99. Cocerto grosso No. 3 in C Minor, Op. 6: IV. Vivace
  100. Concerto grosso No. 3 in C Minor, Op. 6: V. Allegro
  101. Concerto grosso No. 4 in D Major, Op. 6: I. Adagio – Allegro
  102. Concerto grosso No. 4 in D Major, Op. 6: II. Adagio
  103. Concerto grosso No. 4 in D Major, Op. 6: III. Vivace
  104. Concerto grosso No. 4 in D Major, Op. 6: IV. Allegro
  105. Concerto grosso No. 5 in B-Flat Major, Op. 6: I. Adagio – Allegro
  106. Concerto grosso No. 5 in B-Flat Major, Op. 6: II. Adagio
  107. Concerto grosso No. 5 in B-Flat Major, Op. 6: III. Allegro
  108. Concerto grosso No. 5 in B-Flat Major, Op. 6: IV. Largo
  109. Concerto grosso No. 5 in B-Flat Major, Op. 6: V. Allegro
  110. Concerto grosso No. 6 in F Major, Op. 6: I. Adagio
  111. Concerto grosso No. 6 in F Major, Op. 6: II. Allegro
  112. Concerto grosso No. 6 in F Major, Op. 6: III. Largo
  113. Concerto grosso No. 6 in F Major, Op. 6: IV. Vivace
  114. Concerto grosso No. 6 in F Major, Op. 6: V. Allegro
  115. Concerto grosso No. 7 in D Major, Op. 6: I. Vivace – Allegro
  116.  
  117. Concerto grosso No. 7 in D Major, Op. 6: II. Allegro
  118. Concerto grosso No. 7 in D Major, Op. 6: III. Andante largo
  119. Concerto grosso No. 7 in D Major, Op. 6: IV. Allegro
  120.  
  121. Concerto grosso No. 7 in D Major, Op. 6: V. Vivace
  122.  
  123. Concerto grosso No. 8 in G Minor, Op. 6: I. Vivace
  124.  
  125. Concerto grosso No. 8 in G Minor, Op. 6: II. Grave. Arcate, sostenuto e come stà
  126.  
  127. Concerto grosso No. 8 in G Minor, Op. 6: III. Allegro
  128.  
  129. Concerto grosso No. 8 in G Minor, Op. 6: IV. Adagio – Allegro – Adagio
  130.  
  131. Concerto grosso No. 8 in G Minor, Op. 6: V. Vivace
  132.  
  133. Concerto grosso No. 8 in G Minor, Op. 6: VI. Allegro
  134.  
  135. Concerto grosso No. 8 in G Minor, Op. 6: VII. Pastorale. Largo
  136.  
  137. Concerto grosso No. 9 in F Major, Op. 6: I. Preludio. Largo
  138.  
  139. Concerto grosso No. 9 in F Major, Op. 6: II. Allemanda. Allegro
  140.  
  141. Concerto grosso No. 9 in F Major, Op. 6: III. Corrente. Vivace
  142.  
  143. Concerto grosso No. 9 in F Major, Op. 6: IV. Gavotta. Allegro
  144.  
  145. Concerto grosso No. 9 in F Major, Op. 6: V. Adagio
  146.  
  147. Concerto grosso No. 9 in F Major, Op. 6: VI. Minuetto. Vivace
  148.  
  149. Concerto grosso No. 10 in C Major, Op. 6: I. Preludio. Andante largo
  150.  
  151. Concerto grosso No. 10 in C Major, Op. 6: II. Allemanda. Allegro
  152.  
  153. Concerto grosso No. 10 in C Major, Op. 6: III. Adagio
  154.  
  155. Concerto grosso No. 10 in C Major, Op. 6: IV. Corrente. Vivace
  156.  
  157. Concerto grosso No. 10 in C Major, Op. 6: V. Allegro
  158.  
  159. Concerto grosso No. 10 in C Major, Op. 6: VI. Minuetto. Vivace
  160.  
  161. Concerto grosso No. 11 in B-Flat Major, Op. 6: I. Preludio. Andante largo
  162.  
  163. Concerto grosso No. 11 in B-Flat Major, Op. 6: II. Allemanda. Allegro
  164.  
  165. Concerto grosso No. 11 in B-Flat Major, Op. 6: III. Adagio – Andante largo
  166.  
  167. Concerto grosso No. 11 in B-Flat Major, Op. 6: IV. Sarabanda. Largo
  168.  
  169. Concerto grosso No. 11 in B-Flat Major, Op. 6: V. Giga. Vivace
  170.  
  171. Concerto grosso No. 12 in F Major, Op. 6: I. Preludio. Adagio
  172.  
  173. Concerto grosso No. 12 in F Major, Op. 6: II. Allegro
  174.  
  175. Concerto grosso No. 12 in F Major, Op. 6: III. Adagio
  176.  
  177. Concerto grosso No. 12 in F Major, Op. 6: IV. Sarabanda. Vivace
  178. Concerto grosso No. 12 in F Major, Op. 6: V. Giga. Allegro
  179. Sinfonia in D Minor, WoO 1: I. Grave
  180. Composed By – Arcangelo Corelli
  181. Sinfonia in D Minor, WoO 1: II. Allegro
  182. Sinfonia in D Minor, WoO 1: III. Adagio
  183. Sinfonia in D Minor, WoO 1: IV. Largo assai
  184. Sinfonia in D Minor, WoO 1: V. Vivace
  185. Sonata a quattro in G Minor, WoO 2: I. Adagio – Andante largo
  186. Sonata a quattro in G Minor, WoO 2: II. Allegro
  187. Sonata a quattro in G Minor, WoO 2: III. Grave
  188. Sonata a quattro in G Minor, WoO 2: IV. Presto
  189. Sonata a quattro in G Minor, WoO 2: V. Vivace
  190. Premier ordre “La Françoise”: I. Sonade. Gravement
  191. Premier ordre “La Françoise”: Gayement
  192. Premier ordre “La Françoise”: Rondement
  193. Premier ordre “La Françoise”: Gayemen
  194. Premier ordre “La Françoise”: Gravement
  195. Premier ordre “La Françoise”: Vivement
  196. Premier ordre “La Françoise”: Air. Gracieusement
  197. Premier ordre “La Françoise”: Gayëment
  198. Prélude de M. Hotteterre
  199. Premier ordre “La Françoise”: II. Allemande. Sans lenteur
  200. Premier ordre “La Françoise”: III. Premiere courante. Noblement
  201. Premier ordre “La Françoise”: IV. Seconde courante. Un peu plus viste
  202. Premier ordre “La Françoise”: V. Sarabande. Gravement
  203. Premier ordre “La Françoise”: VI. Gigue. Gayement
  204. Premier ordre “La Françoise”: VII. Chaconne ou passacaille. Moderement
  205. Premier ordre “La Françoise”: VIII. Gavote
  206. Premier ordre “La Françoise”: IX. Menuet
  207. Second ordre “L’Espagnole”: I. Sonade. Gravement. et mesuré
  208. Second ordre “L’Espagnole”: Vivement
  209. Composed By – François Couperin
  210. Second ordre “L’Espagnole”: Doux, et affectuëusement
  211. Second ordre “L’Espagnole”: Légèrement
  212. Second ordre “L’Espagnole”: Repos – Gayëment –Repos – Gayëment
  213. Second ordre “L’Espagnole”: Air tendre
  214. Second ordre “L’Espagnole”: Vivement et marqué
  215. Second ordre “L’Espagnole”: II. Allemande. Gracieusement
  216. Second ordre “L’Espagnole”: III. Courante. Noblement
  217. Second ordre “L’Espagnole”: IV. Seconde Courante. Un peu plus vivement
  218. Second ordre “L’Espagnole”: V. Sarabande. Gravement
  219. Second ordre “L’Espagnole”: VI. Gigue lourée. Modérément
  220. Second ordre “L’Espagnole”: VII. Gavote. Tendrement, sans lenteur
  221. Second ordre “L’Espagnole”: VIII. Rondeau. Afectuëusement
  222. Second ordre “L’Espagnole”: IX. Bourée: Gayement –Double de la bourrée précédente
  223. Second ordre “L’Espagnole”: X. Passacaille. Noblement et marqué
  224. Troisième ordre “L’Impériale”: I. Sonade. Gravement
  225. Troisième ordre “L’Impériale”: Vivement
  226. Troisième ordre “L’Impériale”: Gravement et marqué
  227. Troisième ordre “L’Impériale”: Légèrement
  228. Troisième ordre “L’Impériale”: Rondement
  229. Troisième ordre “L’Impériale”: Vivement
  230. Prélude de M. Couperin
  231. Troisième ordre “L’Impériale”: II. Allemande. Sans lenteur
  232. Troisième ordre “L’Impériale”: III. Courante
  233. Troisième ordre “L’Impériale”: IV. Seconde courante. Plus marquee
  234. Troisième ordre “L’Impériale”: V. Sarabande. Tendrement
  235. Troisième ordre “L’Impériale”: VI. Bourée. Gayement
  236. Troisième ordre “L’Impériale”: VII. Gigue. D’une légèreté moderée
  237. Troisième ordre “L’Impériale”: VIII. Rondeau. Gayement
  238. Troisième ordre “L’Impériale”: IX. Chaconne
  239. Troisième ordre “L’Impériale”: X. Menuet
  240. Quatrième ordre “La Piémontoise”: I. Sonade. Gravement
  241. Quatrième ordre “La Piémontoise”: Vivement
  242. Quatrième ordre “La Piémontoise”: Gravement
  243. Quatrième ordre “La Piémontoise”: Vivement et marqué
  244. Quatrième ordre “La Piémontoise”: Air. Gracieusement
  245. Quatrième ordre “La Piémontoise”: 2 Air
  246. Quatrième ordre “La Piémontoise”: Gravement et marqué
  247. Quatrième ordre “La Piémontoise”: Légèrement
  248. Quatrième ordre “La Piémontoise”: II. Allemande. Noblement et sans lenteur
  249. Quatrième ordre “La Piémontoise”: III. Courante
  250. Quatrième ordre “La Piémontoise”: IV. Seconde courante. Plus gayëment
  251. Quatrième ordre “La Piémontoise”: V. Sarabande. Tendrement
  252. Quatrième ordre “La Piémontoise”: VI. Rondeau. Gayement
  253. Quatrième ordre “La Piémontoise”: VII. Gigue. Affectuëusement, quoy que légèrement
  254. Suite No. 1 in F Major, HWV 348: I. Overture. Largo – Allegro
  255. Suite No. 1 in F Major, HWV 348: II. Adagio e staccato
  256. Suite No. 1 in F Major, HWV 348: III. —
  257. Suite No. 1 in F Major, HWV 348: IV. Andante
  258. Suite No. 1 in F Major, HWV 348: III. Da capo
  259. Suite No. 1 in F Major, HWV 348: V. —
  260. Suite No. 1 in F Major, HWV 348: VI. Air
  261. Suite No. 1 in F Major, HWV 348: VII. Minuet
  262. Suite No. 1 in F Major, HWV 348: VIII. Bourrée
  263. Suite No. 1 in F Major, HWV 348: IX. Hornpipe
  264. Suite No. 1 in F Major, HWV 348: X. —
  265. Suite No. 2 in D Major, HWV 349: XI. —
  266. Suite No. 2 in D Major, HWV 349: XII. Alla Hornpipe
  267. Suite No. 2 in D Major, HWV 349: XIII. Minuet
  268. Suite No. 2 in D Major, HWV 349: XIV. Lentement
  269. Suite No. 2 in D Major, HWV 349: XV. Bourrée
  270. Suite No. 3 in G Major, HWV 350: XVI. —
  271. Suite No. 3 in G Major, HWV 350: XVII. Rigaudon
  272. Suite No. 3 in G Major, HWV 350: XVIII. —
  273. Suite No. 3 in G Major, HWV 350: XVII. Da capo
  274. Suite No. 3 in G Major, HWV 350: XIX. Menuet
  275. Suite No. 3 in G Major, HWV 350: XX. —
  276. Suite No. 3 in G Major, HWV 350: XXI. —
  277. Suite No. 3 in G Major, HWV 350: XXII. —
  278. Music for the Royal Fireworks, HWV 351: I. Overture
  279. Music for the Royal Fireworks, HWV 351: II. Bourrée
  280. Music for the Royal Fireworks, HWV 351: III. La paix
  281. Music for the Royal Fireworks, HWV 351: IV. La réjouissance
  282. Music for the Royal Fireworks, HWV 351: V. Menuet I
  283. Music for the Royal Fireworks, HWV 351: Menuet II
  284. Sinfonia in B-Flat Major, HWV 339: I. Allegro
  285. Sinfonia in B-Flat Major, HWV 339: II. Adagio
  286. Sinfonia in B-Flat Major, HWV 339: III. Allegro
  287. Sinfonia in B-Flat Major, HWV 347: I. Pomposo
  288. Sinfonia in B-Flat Major, HWV 347: II. Air lentement
  289. Sinfonia in B-Flat Major, HWV 347: III. Air. A tempo ordinario
  290. Organ Concerto No. 1 in G Minor, Op. 4 No. 1, HWV 289: I. Larghetto, e staccato
  291. Organ Concerto No. 1 in G Minor, Op. 4 No. 1, HWV 289: II. Allegro
  292. Organ Concerto No. 1 in G Minor, Op. 4 No. 1, HWV 289: III. Adagio
  293. Organ Concerto No. 1 in G Minor, Op. 4 No. 1, HWV 289: IV. Andante
  294. Organ Concerto No. 2 in B-Flat Major, Op. 4 No. 2, HWV 290: I. A tempo ordinario, e staccato
  295. Organ Concerto No. 2 in B-Flat Major, Op. 4 No. 2, HWV 290: II. Allegro
  296. Organ Concerto No. 2 in B-Flat Major, Op. 4 No. 2, HWV 290: III. Adagio, e staccato
  297. Organ Concerto No. 2 in B-Flat Major, Op. 4 No. 2, HWV 290: IV. Allegro, ma non presto
  298. Organ Concerto No. 3 in G Minor, Op. 4 No. 3, HWV 291: I. Adagio
  299. Organ Concerto No. 3 in G Minor, Op. 4 No. 3, HWV 291: II. Allegro
  300. Organ Concerto No. 3 in G Minor, Op. 4 No. 3, HWV 291: III. Adagio
  301. Organ Concerto No. 3 in G Minor, Op. 4 No. 3, HWV 291: IV. Allegro
  302. Organ Concerto No. 4 in F Major, Op. 4 No. 4, HWV 292: I. Allegro
  303. Organ Concerto No. 4 in F Major, Op. 4 No. 4, HWV 292: II. Andante
  304. Organ Concerto No. 4 in F Major, Op. 4 No. 4, HWV 292: III. Adagio
  305. Organ Concerto No. 4 in F Major, Op. 4 No. 4, HWV 292: IV. Allegro
  306. Concerto grosso No. 1 in D Major, Op. 7: I. Vivace
  307. Concerto grosso No. 1 in D Major, Op. 7: II. Largo
  308. Concerto grosso No. 1 in D Major, Op. 7: III. Allegro
  309. Concerto grosso No. 1 in D Major, Op. 7: IV. Vivace
  310. Concerto grosso No. 2 in B-Flat Major, Op. 7: I. Andante
  311. Concerto grosso No. 2 in B-Flat Major, Op. 7: II. Vivace
  312. Concerto grosso No. 2 in B-Flat Major, Op. 7: III. Largo
  313. Concerto grosso No. 2 in B-Flat Major, Op. 7: IV. Cantabile
  314. Concerto grosso No. 2 in B-Flat Major, Op. 7: V. Allegro
  315. Concerto grosso No. 3 in G Major, Op. 7: I. Largo
  316. Concerto grosso No. 3 in G Major, Op. 7: II. Allegro
  317. Concerto grosso No. 3 in G Major, Op. 7: III. Largo
  318. Concerto grosso No. 3 in G Major, Op. 7: IV. Allegro
  319. Concerto grosso No. 4 in F Major, Op. 7: I. Andante
  320. Concerto grosso No. 4 in F Major, Op. 7: II. Largo
  321. Concerto grosso No. 4 in F Major, Op. 7: III. Cantabile
  322. Concerto grosso No. 4 in F Major, Op. 7: IV. Allegro molto
  323. Concerto No. 1 in D Major, Op. 3: I. Allegro
  324. Concerto No. 1 in D Major, Op. 3: II. Largo
  325. Concerto No. 1 in D Major, Op. 3: III. Allegro
  326. Concerto No. 2 in C Minor, Op. 3: I. Andante
  327. Concerto No. 2 in C Minor, Op. 3: II. Largo
  328. Concerto No. 2 in C Minor, Op. 3: III. Andante
  329. Concerto No. 3 in F Major, Op. 3: I. Andante
  330. Concerto No. 3 in F Major, Op. 3: II. Largo
  331. Concerto No. 3 in F Major, Op. 3: III. Vivace
  332. Oboe Concerto in D Minor, S.Z799: I. Andante e spiccato
  333. Oboe Concerto in D Minor, S.Z799: II. Adagio
  334. Oboe Concerto in D Minor, S.Z799: III. Presto
  335. Concerto No. 1 in D Major, S.D936: I. Allegro assai
  336. Concerto No. 1 in D Major, S.D936: II. Larghetto
  337. Concerto No. 1 in D Major, S.D936: III. Vivace
  338. Concerto No. 2 in E Major, S.D938: I. Allegro assai
  339. Concerto No. 2 in E Major, S.D938: II. Moderato
  340. Concerto No. 2 in E Major, S.D938: III. Spiritoso ma non presto
  341. Concerto No. 3 in B Minor, S.D937: I. Andante larghetto
  342. Concerto No. 3 in B Minor, S.D937: II. Adagio
  343. Concerto No. 3 in B Minor, S.D937: III. Presto
  344. Concerto No. 4 in E Minor, S.D939: I. Moderato
  345. Concerto No. 4 in E Minor, S.D939: II. Largo appoggiato
  346. Concerto No. 4 in E Minor, S.D939: III. Allegro
  347. Concerto No. 5 in B-Flat Major, S.D944: I. Moderato
  348. Concerto No. 5 in B-Flat Major, S.D944: II. Larghetto staccato
  349. Concerto No. 5 in B-Flat Major, S.D944: III. Presto ma non molto
  350. Concerto No. 6 in G Major, S.D941: I. Allegro
  351. Concerto No. 6 in G Major, S.D941: II. Larghetto
  352. Concerto No. 6 in G Major, S.D941: III. Vivace
  353. Fantasy No. 1 in D Minor, Z732 (a3)
  354. Fantasy No. 2 in F Major, Z733 (a3)
  355. Fantasy No. 3 in G Minor, Z734 (a3)
  356. Fantasy No. 4 in G Minor, Z735 (a4)
  357. Fantasy No. 6 in F Major, Z737 (a4)
  358. Fantasy No. 7 in C Minor, Z738 (a4)
  359. Fantasy No. 8 in D Minor, Z739 (a4)
  360. Fantasy No. 9 in A Minor, Z740 (a4)
  361. Fantasy No. 10 in E Minor, Z741 (a4)
  362. Fantasy No. 11 in G Major, Z742 (a4)
  363. Fantasy No.12 in D Minor, Z743 (a4)
  364. Fantasy No. 13 in A Minor, Z744 (a4, incomplete)
  365. Fantasia upon One Note in F Major, Z745 (a5)
  366. In Nomine in G Minor, Z746 (a6)
  367. In Nomine Z747 (a7)
  368. Recorder Concerto in F Major: I. Allegro
  369. Recorder Concerto in F Major: II. Siciliano
  370. Recorder Concerto in F Major: III. Allegro
  371. Recorder Sonata No. 11 in F Major: I. Andante
  372. Recorder Sonata No. 11 in F Major: II. Allegro
  373. Recorder Sonata No. 11 in F Major: III. Adagio
  374. Recorder Sonata No. 11 in F Major: IV. Andante – Allegro
  375. Recorder Sonata in B-Flat Major, No. 21: I. Allegro
  376. Recorder Sonata in B-Flat Major, No. 21: II. Adagio
  377. Recorder Sonata in B-Flat Major, No. 21: III. Allegro
  378. Harpsichord Sonata No. 6 in D Minor: I. Andantino
  379. Recorder Sonata No. 23 in F Major: I. Andante
  380. Recorder Sonata No. 23 in F Major: II. Allegro
  381. Recorder Sonata No. 23 in F Major: III. Adagio
  382. Recorder Sonata No. 23 in F Major: IV. Andante
  383. Cello Sonata No. 3 in A Minor: I. Andant
  384. Cello Sonata No. 3 in A Minor: II. Allegro
  385. Cello Sonata No. 3 in A Minor: III. Menuetto
  386. Trio Sonata in G Major, Op. 1 No. 4: I. Spiritoso
  387. Trio Sonata in G Major, Op. 1 No. 4: II. Andante
  388. Trio Sonata in G Major, Op. 1 No. 4: III. Allegro
  389. Sinfonia No. 1 in F Major, R.533: I. Allegro
  390. Sinfonia No. 1 in F Major, R.533: II. Adagio
  391. Sinfonia No. 1 in F Major, R.533: III. Allegro
  392. Sinfonia No. 1 in F Major, R.533: IV. Adagio
  393. Sinfonia No. 1 in F Major, R.533: V. Allegro
  394. Sinfonia No. 4 in E Minor, R.533: I. Vivace
  395. Sinfonia No. 4 in E Minor, R.533: II. Adagio
  396. Sinfonia No. 4 in E Minor, R.533: III. Allegro
  397. Sinfonia No. 4 in E Minor, R.533: IV. Adagio
  398. Sinfonia No. 4 in E Minor, R.533: V. Allegro
  399. Sinfonia No. 5 in D Minor, R.533: I. Spiritoso e staccato
  400. Sinfonia No. 5 in D Minor, R.533: II. Adagio
  401. Sinfonia No. 5 in D Minor, R.533: III. Allegro
  402. Sinfonia No. 5 in D Minor, R.533: IV. Adagio
  403. Sinfonia No. 5 in D Minor, R.533: V. Allegro assai
  404. Sinfonia No. 9 in G Minor, R.533: I. Vivace
  405. Sinfonia No. 9 in G Minor, R.533: II. Adagio
  406. Sinfonia No. 9 in G Minor, R.533: III. Moderato
  407. Sinfonia No. 9 in G Minor, R.533: IV. Adagio
  408. Sinfonia No. 9 in G Minor, R.533: V. Allegrissimo
  409. Sinfonia No. 9 in G Minor, R.533: VI. Menuet
  410. Sinfonia No. 10 in A Minor, R.533: I. Vivace
  411. Sinfonia No. 10 in A Minor, R.533: II. Adagio
  412. Sinfonia No. 10 in A Minor, R.533: III. Allegro
  413. Sinfonia No. 10 in A Minor, R.533: IV. Adagi
  414. Sinfonia No. 10 in A Minor, R.533: V. Allegrissimo
  415. Sinfonia No. 11 in C Major, R.533: I. Spiritoso
  416. Sinfonia No. 11 in C Major, R.533: II. Lento
  417. Sinfonia No. 11 in C Major, R.533: III. Allegro
  418. Sinfonia No. 11 in C Major, R.533: IV. Adagio
  419. Sinfonia No. 11 in C Major, R.533: V. Allegro
  420. Sinfonia No. 1 in C Major: I. Grave – Allegro
  421. Sinfonia No. 1 in C Major: II. Allegro
  422. Sinfonia No. 1 in C Major: III. Largo
  423. Sinfonia No. 1 in C Major: IV. Presto
  424. Sinfonia No. 8 in A Minor: I. Allegro
  425. Sinfonia No. 8 in A Minor: II. Andante
  426. Sinfonia No. 8 in A Minor: III. Allegro
  427. Sinfonia No. 8 in A Minor: IV. Allegro
  428. Sinfonia No. 2 in D Major: I. Adagio – Allegro
  429. Sinfonia No. 2 in D Major: II. Vivace
  430. Sinfonia No. 2 in D Major: III. Grave – Presto
  431. Sinfonia No. 2 in D Major: IV. Presto
  432. Sinfonia No. 5 in F Major: I. Allegro
  433. Sinfonia No. 5 in F Major: II. Adagio
  434. Sinfonia No. 5 in F Major: III. Largo – Allegro
  435. Sinfonia No. 5 in F Major: IV. Presto
  436. Sinfonia No. 1 in D Minor
  437. Sinfonia No. 3 in D Major: I. Allegro
  438. Sinfonia No. 3 in D Major: II. Allegro
  439. Sinfonia No. 3 in D Major: IV. Allegro
  440. Sinfonia No. 3 in D Major: V. Presto
  441. Sinfonia No. 7 in G Major: I. Largo
  442. Sinfonia No. 7 in G Major: II. Vivace
  443. Sinfonia No. 7 in G Major: III. Allegro
  444. Sinfonia No. 7 in G Major: IV. Allegro
  445. Sinfonia No. 9 in A Minor: II. Presto – Adagio
  446. Sinfonia No. 9 in A Minor: III. Allegro
  447. Sinfonia No. 9 in A Minor: IV. Presto
  448. Sinfonia No. 2 in B-Flat Major
  449. Sinfonia No. 4 in D Major: I. Grave – Allegro
  450. Sinfonia No. 4 in D Major: II. Allegro
  451. Sinfonia No. 4 in D Major: III. Largo
  452. Sinfonia No. 4 in D Major: IV. Presto
  453. Sinfonia No. 6 in F Major: I. Grave – Allegro
  454. Sinfonia No. 6 in F Major: II. Largo
  455. Sinfonia No. 6 in F Major: III. Allegro
  456. Sinfonia No. 6 in F Major: IV. Presto
  457. Suite in E-Flat Major, TWV 55:Es2: I. Ouverture
  458. Suite in E-Flat Major, TWV 55:Es2: II. Menuet I & II
  459. Suite in E-Flat Major, TWV 55:Es2: III. Sarabande
  460. Suite in E-Flat Major, TWV 55:Es2: IV. Bourrée, en echo altern.
  461. Suite in E-Flat Major, TWV 55:Es2: V. Passepied I & II
  462. Suite in E-Flat Major, TWV 55:Es2: VI. Gavotte
  463. Suite in E-Flat Major, TWV 55:Es2: VII. Gigue
  464. Suite in A Minor, TWV 55:a2: I. Ouverture
  465. Suite in A Minor, TWV 55:a2: II. Les Plaisirs
  466. Suite in A Minor, TWV 55:a2: III. Air à l’Italien
  467. Suite in A Minor, TWV 55:a2: IV. Menuet I & II
  468. Suite in A Minor, TWV 55:a2: V. Réjouissance
  469. Suite in A Minor, TWV 55:a2: VI. Passepied (I & II)
  470. Suite in A Minor, TWV 55:a2: VII. Polonaise
  471. Recorder Concerto in F Major, TWV 51:F1: I. Affettuoso
  472. Recorder Concerto in F Major, TWV 51:F1: II. Allegro
  473. Recorder Concerto in F Major, TWV 51:F1: III. Adagio
  474. Recorder Concerto in F Major, TWV 51:F1: IV. Menuet I & II
  475. Recorder Concerto in C Major, TWV 51:C1: I. Allegretto
  476. Recorder Concerto in C Major, TWV 51:C1: II. Allegro
  477. Recorder Concerto in C Major, TWV 51:C1: III. Andante
  478. Recorder Concerto in C Major, TWV 51:C1: IV. Tempo di menuet
  479. Ouverture-Suite in D Major, TWV 55:D1: I. Ouverture. Lentement – Vite – Lentement – Vite – Lentement
  480. Ouverture-Suite in D Major, TWV 55:D1: II. Air. Tempo Giusto
  481. Ouverture-Suite in D Major, TWV 55:D1: III. Air. Vivace
  482. Ouverture-Suite in D Major, TWV 55:D1: IV. Air. Presto
  483. Ouverture-Suite in D Major, TWV 55:D1: V. Air. Allegro
  484. Quartet in D Minor, TWV 43:d1: I. Andante
  485. Quartet in D Minor, TWV 43:d1: II. Vivace
  486. Quartet in D Minor, TWV 43:d1: III. Largo
  487. Quartet in D Minor, TWV 43:d1: IV. Allegro
  488. Concerto in F Major, TWV 53:F1: I. Allegro
  489. Concerto in F Major, TWV 53:F1: II. Largo
  490. Concerto in F Major, TWV 53:F1: III. Vivace
  491. Conclusion in E Minor, TWV 50:5: I. Sinfonia. Allegro
  492. Oboe Concerto in G Major, TWV 51:G2: I. Andante
  493. Oboe Concerto in G Major, TWV 51:G2: II. Vivace
  494. Oboe Concerto in G Major, TWV 51:G2: III. Adagio
  495. Oboe Concerto in G Major, TWV 51:G2: IV. Allegro
  496. Oboe Concerto in E Minor, TWV 51:e1: I. Andante
  497. Oboe Concerto in E Minor, TWV 51:e1: II. Allegro molto
  498. Oboe Concerto in E Minor, TWV 51:e1: III. Largo
  499. Oboe Concerto in E Minor, TWV 51:e1: IV. Allegro
  500. Concerto for Oboe d’amore in A Major, TWV 51:A2: I. Siciliano
  501. Concerto for Oboe d’amore in A Major, TWV 51:A2: II. Allegro
  502. Concerto for Oboe d’amore in A Major, TWV 51:A2: III. Largo
  503. Concerto for Oboe d’amore in A Major, TWV 51:A2: IV. Vivace
  504. Oboe Concerto in E-Flat Major, TWV 51:Es1: I. Allegro
  505. Oboe Concerto in E-Flat Major, TWV 51:Es1: II. Largo
  506. Oboe Concerto in E-Flat Major, TWV 51:Es1: III. Allegro
  507. Oboe Concerto in E Minor, TWV 51:e2: I. Allegro
  508. Oboe Concerto in E Minor, TWV 51:e2: II. Andante
  509. Oboe Concerto in E Minor, TWV 51:e2: III. Allegro
  510. Oboe Concerto in D Minor, TWV 51:d2: I. Largo
  511. Oboe Concerto in D Minor, TWV 51:d2: II. Vivace
  512. Oboe Concerto in D Minor, TWV 51:d2: III. Andante
  513. Oboe Concerto in D Minor, TWV 51:d2: IV. Allegro
  514. Composed By – Georg Philipp Telemann
  515. Violin Concerto No. 1 in E Major, RV 269: I. Allegro
  516. Violin Concerto No. 1 in E Major, RV 269: II. Largo
  517. iolin Concerto No. 1 in E Major, RV 269: III. Allegro
  518. Violin Concerto No. 2 in G Minor, RV 315: I. Allegro non molto – Allegro
  519. Violin Concerto No. 2 in G Minor, RV 315: II. Adagio – Presto – Adagio –Presto – Adagio – Presto –Adagio – Presto – Adagio
  520. Violin Concerto No. 2 in G Minor, RV 315: III. Presto
  521. Violin Concerto No. 3 in F Major, RV 293: I. Allegro – Larghetto – Allegro asssai
  522. Violin Concerto No. 3 in F Major, RV 293: II. Adagio molto
  523. Violin Concerto No. 3 in F Major, RV 293: III. Allegro
  524. Violin Concerto No. 4 in F Minor, RV 297: I. Allegro non molto
  525. Violin Concerto No. 4 in F Minor, RV 297: II. Largo
  526. Violin Concerto No. 4 in F Minor, RV 297: III. Allegro – Lento
  527. Violin Concerto No. 5 in E-Flat Major, RV 253: I. Presto – Allegro
  528. Violin Concerto No. 5 in E-Flat Major, RV 253: II. Largo
  529. Violin Concerto No. 5 in E-Flat Major, RV 253: III. Presto
  530. Violin Concerto No. 6 in C Major, RV 180: I. Allegro
  531. Violin Concerto No. 6 in C Major, RV 180: II. Largo e cantabile
  532. Violin Concerto No. 6 in C Major, RV 180: III. Allegro
  533. Oboe Concerto in C Major, Op. 8 No. 12, RV 449: I. Allegro
  534. Oboe Concerto in C Major, Op. 8 No. 12, RV 449: II. Largo
  535. Oboe Concerto in C Major, Op. 8 No. 12, RV 449: III. Allegro
  536. Oboe Concerto in G Minor, Op. 11 No. 6, RV 460: I. Allegro non tanto
  537. Oboe Concerto in G Minor, Op. 11 No. 6, RV 460: II. Largo
  538. Oboe Concerto in G Minor, Op. 11 No. 6, RV 460: III. Allegro non molto
  539. Oboe Concerto in B-Flat Major, Op. 7 No. 1, RV 465: I. Allegro
  540. Oboe Concerto in B-Flat Major, Op. 7 No. 1, RV 465: II. Adagio
  541. Oboe Concerto in B-Flat Major, Op. 7 No. 1, RV 465: III. Allegro
  542. Oboe Concerto in F Major, RV 456: I. Largo
  543. Oboe Concerto in F Major, RV 456: II. Allegro – Adagio
  544. Oboe Concerto in F Major, RV 456: III. Presto
  545. Oboe Concerto in D Minor, Op. 8 No. 9, RV 454: I. Allegro
  546. Oboe Concerto in D Minor, Op. 8 No. 9, RV 454: II. Largo
  547. Oboe Concerto in D Minor, Op. 8 No. 9, RV 454: III. Allegro
  548. Oboe Concerto in B-Flat Major, Op. 7 No. 7, RV 464: I. Allegro
  549. Oboe Concerto in B-Flat Major, Op. 7 No. 7, RV 464: II. Largo
  550. Oboe Concerto in B-Flat Major, Op. 7 No. 7, RV 464: III. Allegr
  551. Cello Concerto in D Minor, RV 405: I. —
  552. Cello Concerto in D Minor, RV 405: II. Adagio
  553. Cello Concerto in D Minor, RV 405: III. Allegro
  554. Cello Concerto in G Minor, RV 417: I. Allegro
  555. Cello Concerto in G Minor, RV 417: II. Andante
  556. Cello Concerto in G Minor, RV 417: III. Allegro
  557. Cello Concerto in D Major, RV 403: I. Allegro
  558. Cello Concerto in D Major, RV 403: II. —
  559. Cello Concerto in D Major, RV 403: III. Allegr
  560. Cello Concerto in F Major, RV 410: I. Allegro
  561. Cello Concerto in F Major, RV 410: II. Adagio, solo a piacimento
  562. Cello Concerto in F Major, RV 410: III. —
  563. Cello Concerto in A Minor, RV 420: I. Andante
  564. Cello Concerto in A Minor, RV 420: II. Adagio
  565. Cello Concerto in A Minor, RV 420: III. Allegro
  566. Cello Concerto in G Major, RV 414: I. Allegro molto
  567. Cello Concerto in G Major, RV 414: II. Andante
  568. Cello Concerto in G Major, RV 414: III. Presto
  569. Cello Concerto in G Minor, RV 416: I. Allegro
  570. Cello Concerto in G Minor, RV 416: II. Adagio
  571. Cello Concerto in G Minor, RV 416: III. Allegro
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mojo_navigator
Omaha, US
★★★★★ 5
Excellent Blu-Ray Transfer - Big Improvement to the DVD
I've been a big fan of this movie for many years, long before the advent of DVD let alone Blu-Ray. I used to go and see it at the repertory cinema often - the first time, I was stunned by the quasi-hallucinatory cinematography of it. A totally unique film that's never been replicated before or since (although The Limey was a good attempt) Frankly the story is incidental and not worth summarising or even paying much attention to. The cinematic style of it is what makes it so riveting both then and now - an excellent psychedelic time-capsule of late `60s LA punctuated by stunning performances from the likes of Marvin, Dickinson and others. The DVD was a huge let-down when released. Despite the accolades that it had at the time, it had a "watery" non-filmic quality which made it dull and tiresome to watch even once. Without capturing the garish color and mind-bending trippiness of the film, you were reduced to following the plot which, like I said, is the least interesting aspect of it. The Blu-Ray is MILES superior to the DVD. The integrity of every component in this movie that I've discussed above is perfectly captured; the emotional power of it is all there in bucketloads. The colors are strong and vivid and in true Blu-ray style you notice subtleties that you hadn't noticed before (e.g. the green chairs in the corporate offices, Angie Dickinson's expression after the "what's my last name" exchange). The overall quality is very filmic (no DNR etc) and good grain where appropriate. It looks like a strong 35 mm print that has been run a few times but has plenty of life left. So no Criterion day-it-was-released look but more than satisfactory. Ideally, I would like Criterion to get hold of this as I think they would clearly be able to make an improvement but this is a minor quibble. For fans of `60s cinema and experimental film-making, this Blu-Ray edition will thoroughly satisfy. I no longer feel the need to see this in a movie house anymore unless there's a full restoration of the original 35mm print (which does happen from time to time)
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Reviewed in the United States on September 26, 2014
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KEITH
Bozeman, US
★★★★★ 5
Displeasure And Distance
The movie 'Point Blank' is like staring at a visual of Alcatraz prison from the opposite shore. Meaning accumulates over landmarks when we are suspicious about the details. On such a sound the channel of moving water has a stationary dock. A metal walkway connector bridge glows in unnatural radiances; the sun seems set on it, at dusk. These sea shore implements, at Alcatraz or at another bay denote civility and schedules of operation. When money and it's acquisition exist in our brains as enticements the places become spectrums with loose enthusiasms and burnished red-glows. Walker(Lee Marvin) the anti-hero of the movie 'Point Blank' is a tall, laconic, dark-suited figure. Walker's parted white hair gets swept up in the wind, unstraightened, but his bushy eyebrows are solid supports of displeasure and distance. 'Point Blank' directed by John Boorman is a 1967 classic crime film and is the story of a solo struggle-Walker's-to reconnect and recover the money that was stolen from him by his ex-partner Mal Reese(John Vernon). Walker importunes abandoned places, like an Alcatraz prison cell with questions: "How did it happen?" He is ruminating over incidents that are seen in flashback entries, but these brief remonstrance are also plot points on a scheme of surreal adventuring. Lynne(Sharon Acker), Walker's wife, has reproachments about herself, her 'past', but the enviable story is told. Lynne's monotonous sentiments recall a walk on the pier in the rain, with herself and Walker in mild drunkeness. Lynne's voice is synthesized to a soft, dreamy intercession; another vision from Walker's life, also an evocative impression of a stoic wanderer's accentuated provocateur encounters. In his film direction Boorman takes the novel "The Hunter" written by Donald Westlake and gives weight to a story about the cavorting of a slick, popular, caper anti-hero named Parker (From "The Hunter" , also other serial books written by Hunter under pseudonyms like Richard Stark). This story is recreated by Boorman for Parker of the novel and his hyperbolic lurid situations. 'Point Blank' invests visuals with sensual revelations of mystery. The breaths of relaxed reflection give toxicity to moods and the imagination has righteous experience of titillation. The viewer is invited to understand the whisperings of breezes brushing against one another at random convexes-these are soft exposing indescrepancies. At a reunion, another recounting of Walker being hailed over by Mal Reese is one twist. At another rally, in a room in San Francisco, that is similar, Walker warns his target bluntly: "If you don't, I'll kill you." There is an abrupt appearance, also in a semi-populated venue, of assistance made towards Walker. This inviting frenemy says: "If you're looking for Carter, I may be able to help you." This is Yost played by Keenan Wyn. The themes of thrifty fantasy contrive to bounce off Walker. In sunlit rooms and concrete runs ambush attacks set by Walker realize glib confrontations. One such scene involves Brewster(Carroll O'Connor) in an amorous exchange with Walker that suggests that the veritable energies of excitement between Walker and Brewster were procured and transcribed for 'Point Blank' from other products of fictitious dealings. 'Point Blank' co-stars Angie Dickinson as Chris and Lloyd Bochner as Frederick Carter.
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Reviewed in the United States on July 17, 2025
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Parker
Whiting, US
★★★★★ 3
Dated, but....
Compared to the novel on which it is based, this movie is a complete letdown, so fans of the Parker series of novels who are drawn to this book may want to think twice about watching the film if they are looking for a faithful adaptation of the first Parker novel. That being said, it was not the intention of the director John Boorman to adapt Richard Stark's excellent novel, "the Hunter" to film, but rather to create an entirely new piece of fiction from the skeleton of the original story, so one most try to judge the movie on its own merits, which is difficult to do. As in other reviews, I must commend the directing. The style of the film is way ahead of it's time, with stark visuals, stylized fight scenes, and prolonged moments of silence. I love the long Walk lee Marvin takes thru the a multi-colored corridor where his footsteps drown out all other sound. Marvin's performance is also very strong, and he shows himself to have been an actor who took chances with his image and, in this case, used his clout to make a movie which otherwise would not have been so memorable. In the end, one must ask the question "Why?" Why not faithfully adapt "The Hunter" into film? It certainly would not have stifled the film's creativity, and nothing in the movie's script was any better than what was in the book. There is also the annoying occurrence of changing the protagonists' name from Parker to something else; in this case, Walker. This trend continued in another six film adaptations of the Parker novels, the last of which was 1999's Payback, starring Mel Gibson as Porter.
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Reviewed in the United States on July 1, 2011
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Clare Quilty
Lowell, US
★★★★★ 5
A stark, brutish "Petulia" with a pistol in its pocket
It's about time this movie got released on DVD. It's odd that a film could spawn a remake ("Payback"), a glib nod ("Grosse Pointe Blank") and countless homages ("The Limey," among others) and still be as underseen as "Point Blank." The lack of a disc certainly didn't help its low profile, but of course this is a challenging, idiosyncratic movie, even three decades later. The plot is simple -- a crook is betrayed by his wife and partner and spends the rest of the movie trying to get what he's owed -- but the editing and narrative structure is unusual. What in the world did audiences possibly make of this back when it was first released? It's a remarkable film, as startling and innovative as Richard Lester's "Petulia," although admittedly it's thematically much less complex. This edition is excellent, too. Great sound, great picture and a fantastic commentary by director John Boorman and big-time "Point" fan Steven Soderbergh, who laughingly admits to Boorman that he's ripped this movie off more than a few times. Their chat is more technical than gossipy and deals heavily with the editing, the production (the script was only 70 pages long), the studio's concerns about the picture, the actors, violence, surrealism (is it all a dream?) and Boorman's elaborate use of color (the tones of clothing and sets intensify over the course of the film). I've gotten a lot of good DVD's this year but in terms of content, presentation and extas, this is one of the best.
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Reviewed in the United States on August 1, 2005
J
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Joe Movie
Bozeman, US
★★★★★ 4
One of Marvins better offerings
Like the Killers before marvin was almost destined to play the part of Walker in this fast moving gut wrenching but always realistic thriller brilliantly collaborated by Marvin and Boorman who had no peer in this type of film.For those unenlightened souls who downplay Marvins career this was the one that to my mind surpassed most of his prior efforts with the exception of the Killers which was above par in all respects.Marvin was ahead of the pack in the 60s playing this type of hard nosed no nonsense gangster type, no other actor came close and type casted him to some extent in this type of role which unlike may actors became a positive in his career. Just to show his brilliance as an actor he gave us later comedy roles which produced more acting accolades than that material for which he was better known namely what we see in Point Blank.He carries the whole movie as did all the great actors of that era and many since which in itself is the hallmark of greatness. Marvin was a man who so perfectly personified the parts he was playing that often other actors looked wooden in comparison.He was one of the rare individuals who could take a small co starring role and end up being the star of the movie, no mean feat when you were up against the best in the business at that time and there were plenty in the 60 and 70s.To my mind Point Blank will always be a MARVIN film and this is not to downplay other good workmanlike performances in the film but it will always rank highly in Marvins body of work which is a cut above his contemporaries in the roles for which he was known and appreciated.As for the film it played out in fairly predictable fashion until the final scenes under the golden gate brige which gave a nice twist and left the viewer unsure whether Walker did in fact take his money or simply leave the scene of the set up empty handed. The obvious answer is that he waited till the coast was clear and took his money. It is hard to accept that he did otherwise.In retrospect a movie that stands up 40 odd years later and is just as watchable as it was in 67. No mean feat.
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Reviewed in the United States on May 20, 2010

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