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Description
GORGEOUS Large Quimper Tureen/Casserole | Minstrel Blue | SignedThis is a truly gorgeous piece of fiance. Handpainted, signed and in great condition. It's not every day you find Quimper beyond the traditional plates. Markings for the pottery known variously as the Grande Maison, de la Hubaudire or the HB factory have been posted in the photos. FREE UPS SHIPPING All sales final The western most part of the continent of Europe, this is a 1683 map of Brittany. Quimper is located to the left of center, above a small
This is a truly gorgeous piece of fiance. Handpainted, signed and in great condition. It's not every day you find Quimper beyond the traditional plates.
Markings for the pottery known variously as the Grande Maison, de la Hubaudière or the HB factory have been posted in the photos.
FREE UPS SHIPPING
All sales final
The western-most part of the continent of Europe, this is a 1683 map of Brittany. Quimper is located to the left of center, above a small island and noted with its name at that time...Quimper-Corentin.
From OldQuimper.com
Quimper...pronounced "kem-pair"...is a town in northwestern France. It is also a people and a pottery.
To the people of Quimper, the town name is Kemper, which in their language describes a confluence of rivers. ("Quimper" is a somewhat nonsensical rendition as not all the Breton dialects have a "Q" and a true French pronunciation would be different from the actual "kem-pair"). At any rate, "confluence of rivers" is an apt description, as the town is situated at the juncture of two rivers, the Odet and the Steir. Two other rivers, the Jet and the Frout, are close-by, but travel underground through the town limits. Historically, this close proximity to rivers meant an ideal place to establish a pottery factory and thus, Quimper has been a pottery town for centuries. Its "recent" history of continuous pottery production begins in 1708. (Previous accounts put the date as 1690, but history is not written in stone and recent findings have provided further information).
By the last decade of the nineteenth century, three pottery factories were operating in the town of Quimper. One was the Porquier factory, another was known as the Grande Maison or De la Hubaudière factory, and the third, owned by Jules Henriot, was called the Faïencerie d’Art Breton. Tin-glazed earthenware, known in France as faïence, was a popular product, especially pieces that were hand-painted with scenes depicting life in the region of Brittany.
The making of faïence is an art. Especially in the early days, prior to the introduction of more modern methods, when both the technical and artistic skills necessary to make a piece of faïence were quite daunting. Extremely difficult to master its making, I've been known to liken faïence to being the "puff pastry" of pottery production.
The use of an opaque tin glaze is one factor that distinguishes faïence from other types of pottery...pieces made by this process were known as faïence in France, Spain, Germany, and Austria; in the Netherlands, they were called Delft; in England, the term was Delftware; and in Renaissance Italy, such pieces were called maiolica...not to be confused with majolica, that's actually a trade name of the Minton pottery in England for a Victorian-era product made using substantially different glazes and production methods.
The tradition of Quimper faïence production continues today. But much like the comparison of a Model T with a current Ford Motor Company product, today’s Quimper is very different from vintage Quimper. In many fields of collecting there is a line of demarcation; for Quimper pottery that line is World War II. Modern techniques and machinery introduced in the days after World War II resulted in the creation of a different product. Vintage Quimper refers to pieces made prior to that time period; later production falls into the collectible genre.
Quimper...pronounced "kem-pair"...is a town in northwestern France. It is also a people and a pottery.
To the people of Quimper, the town name is Kemper, which in their language describes a confluence of rivers. ("Quimper" is a somewhat nonsensical rendition as not all the Breton dialects have a "Q" and a true French pronunciation would be different from the actual "kem-pair"). At any rate, "confluence of rivers" is an apt description, as the town is situated at the juncture of two rivers, the Odet and the Steir. Two other rivers, the Jet and the Frout, are close-by, but travel underground through the town limits. Historically, this close proximity to rivers meant an ideal place to establish a pottery factory and thus, Quimper has been a pottery town for centuries. Its "recent" history of continuous pottery production begins in 1708. (Previous accounts put the date as 1690, but history is not written in stone and recent findings have provided further information).
By the last decade of the nineteenth century, three pottery factories were operating in the town of Quimper. One was the Porquier factory, another was known as the Grande Maison or De la Hubaudière factory, and the third, owned by Jules Henriot, was called the Faïencerie d’Art Breton. Tin-glazed earthenware, known in France as faïence, was a popular product, especially pieces that were hand-painted with scenes depicting life in the region of Brittany.
The making of faïence is an art. Especially in the early days, prior to the introduction of more modern methods, when both the technical and artistic skills necessary to make a piece of faïence were quite daunting. Extremely difficult to master its making, I've been known to liken faïence to being the "puff pastry" of pottery production.
The use of an opaque tin glaze is one factor that distinguishes faïence from other types of pottery...pieces made by this process were known as faïence in France, Spain, Germany, and Austria; in the Netherlands, they were called Delft; in England, the term was Delftware; and in Renaissance Italy, such pieces were called maiolica...not to be confused with majolica, that's actually a trade name of the Minton pottery in England for a Victorian-era product made using substantially different glazes and production methods.
The tradition of Quimper faïence production continues today. But much like the comparison of a Model T with a current Ford Motor Company product, today’s Quimper is very different from vintage Quimper. In many fields of collecting there is a line of demarcation; for Quimper pottery that line is World War II. Modern techniques and machinery introduced in the days after World War II resulted in the creation of a different product. Vintage Quimper refers to pieces made prior to that time period; later production falls into the collectible genre.
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4.1 ★★★★★
Based on 2274 reviews
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Product Reviews
★★★★★ 4
Learn why we cry in this great kids book!
Format: Hardcover, Format: Hardcover
I received a digital copy of this book from the publisher. All thoughts and opinions are my own.
"Some days we cry because we call out for a hug but all we get back is an echo."
Why Do We Cry? begins with a boy asking his mother why we cry. There are many answers to such a question and the mother helps the boy explore the many reasons why we may shed tears.
As the mother explains the reasons why we cry, the illustrations become a bit surreal, to show the emotions and feelings associated with crying, from sadness to anger to grief. The mother compares and contrasts, all the while weaving a poetic story about her own life or memories and emotions.
This book reminds us that it is okay to cry, that crying can be a release, a way to heal, or let go. It helps us understand the difference between emotions and how they affect us.
There's an educational spread at the end of the book that teaches us the different types of tears, one of which--emotional tears-- is featured in this book, what they are made of, and even how much they weigh!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 12, 2020
★★★★★ 5
A Beautiful & Informative Exploration of Tears and Feelings
Format: Hardcover
A nonjudgemental and supportive exploration of the reasons we cry accompanied by imaginative and thoughtful art. Beautiful and informative, the final two pages include scientific information on tears to complement the emotional context of the main part of the story. Suitable for ages 3 to 7.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 25, 2020
★★★★★ 4
It's okay to cry
Format: Kindle
This picture book beautifully normalizes the reasons why children (and adults) may cry. It passes no judgment and does not belittle. Rather, some of the many reasons for tears are described; these include anger, sadness and happiness among others. Crying is seen as a normal response to being human. At the end of the book, there is additional information, some of it scientific, about tears. The book is sensitively illustrated with gorgeous pictures that enhance the text. This would be a great title to share with a child you know.
Many thanks to NetGalley and the publisher for this read in exchange for an honest review.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 8, 2020
★★★★★ 5
Great product
Style: Sustainable - Stretch Cloth, Size: 3 Count (Pack of 1)
I like the material, it seems to hold up that I haven’t had it very long. It dries completely between showers. It’s not over exfoliating.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 3, 2026
★★★★★ 5
Works great
Style: Sustainable - Stretch Cloth, Size: 3 Count (Pack of 1)
Love how it stretches so it’s easy to clean the back and my skin is very soft after!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 19, 2026
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