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Description
3MB Featuring Magic Juan AtkinsWe're celebrating 30 years of Tresor this year and we are proud to announce the reissue of a classic from the early catalogue, 3MB feat. Magic Juan Atkins. Initially released in 1992, Juan Atkins joined forces with Moritz von Oswald and Thomas Fehlmann, for the second iteration of latter duos 3 Men in Berlin project, producing a monumental collaboration between Berlin and Detroit that profoundly affected the path forward for techno music. The impact
We're celebrating 30 years of Tresor this year and we are proud to announce the reissue of a classic from the early catalogue, 3MB feat. Magic Juan Atkins.
Initially released in 1992, Juan Atkins joined forces with Moritz von Oswald and Thomas Fehlmann, for the second iteration of latter duo’s 3 Men in Berlin project, producing a monumental collaboration between Berlin and Detroit that profoundly affected the path forward for techno music.
The impact this album holds is evident in how it elevates beyond a singular or separable representation of its origins. Instead, it resonates through a collaborative nature that reflects its inherent melting pot. Where hints of each member’s sound - Atkins’ mangled and bouncing funk, von Oswald’s purist echoes and foundation rumblings, and Fehlmann’s ambient meshes - may be heard coalescing in a slipstream, and at other times tussling in fervent unfoldings. It may be almost 30 years old, but it remains deeply innovative at its core - folding and warping, unrelenting from its vision.
Densely packed is a propulsive drive of discordant bubbling and jazz-induced textures. Featuring much-beloved tracks such as Jazz Is The Teacher and Die Kosmischen Kuriere, Atkins, von Oswald and Fehlmann forming an emission bound together as a mould of metropolis navigation. Be it amid destructed realities harbouring the bleakest of nights, or long-lensed sci-fi visions, joining dots between the position of the feet and the head. The flanging pads and chirruping percussion of Jazz Is The Teacher lead in a moment in dance music that is as legendary as iconic, shifting into terrains far-out, receiving astral missives then rendering them to groove. Laid back, soulful and affective, it equals ultra-funky, interstellar techno that, once heard, leaves us never quite the same.
Initially released in 1992, Juan Atkins joined forces with Moritz von Oswald and Thomas Fehlmann, for the second iteration of latter duo’s 3 Men in Berlin project, producing a monumental collaboration between Berlin and Detroit that profoundly affected the path forward for techno music.
The impact this album holds is evident in how it elevates beyond a singular or separable representation of its origins. Instead, it resonates through a collaborative nature that reflects its inherent melting pot. Where hints of each member’s sound - Atkins’ mangled and bouncing funk, von Oswald’s purist echoes and foundation rumblings, and Fehlmann’s ambient meshes - may be heard coalescing in a slipstream, and at other times tussling in fervent unfoldings. It may be almost 30 years old, but it remains deeply innovative at its core - folding and warping, unrelenting from its vision.
Densely packed is a propulsive drive of discordant bubbling and jazz-induced textures. Featuring much-beloved tracks such as Jazz Is The Teacher and Die Kosmischen Kuriere, Atkins, von Oswald and Fehlmann forming an emission bound together as a mould of metropolis navigation. Be it amid destructed realities harbouring the bleakest of nights, or long-lensed sci-fi visions, joining dots between the position of the feet and the head. The flanging pads and chirruping percussion of Jazz Is The Teacher lead in a moment in dance music that is as legendary as iconic, shifting into terrains far-out, receiving astral missives then rendering them to groove. Laid back, soulful and affective, it equals ultra-funky, interstellar techno that, once heard, leaves us never quite the same.
Track Listing And Details
1. Bassmental (Magic Juan Edit)
2. Bassmental
3. Die Kosmischen Kuriere (Mortiz von Oswald + Thomas Fehlmann Mix)
4. Die Kosmischen Kuriere
5. Jazz Is The Teacher (Magic Juan Edit)
6. Jazz Is The Teacher (Moritz von Oswald + Thomas Fehlmann Mix)
7. The 4th Quarter
NUMBER OF DISCS: 2
UPC: 5051142008640
RELEASE DATE: 8/13/2021
PRODUCT ID: TRSO9.1
PRODUCT ID: TRSO9.1
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Product Reviews
★★★★★ 5
Nice BIG enameled cast iron dutch oven. like LeCreuset but costs less
Color: Blue, Size: 6-Quart
This is nice quality, similar to the far more costly French LeCreuset brand. I was surprised how big this model is, possibly too big for my small kitchen and limited storage space. I store it in the oven. It would be great for baking sourdough boule bread.
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Reviewed in the United States on May 13, 2026
★★★★★ 5
Enamel finish
Color: Matte Navy, Size: 6-Quart
This is an amazing pot, got the 6 Qt
for beautiful roast dinners and for baking bread. All comes out evenly baked. Cast Iron is best and it has a nice finish for easy clean up.
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Reviewed in the United States on April 24, 2026
★★★★★ 5
Great Cookware Best purchase
Color: Blue, Size: 6-Quart
I purchased mine back in 2021 and I absolutely love it, cooks the best stew ever
easy wash and cleanup. Also great for deep frying
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Reviewed in the United States on June 6, 2026
★★★★★ 5
Great quality. Easy to clean. Nice appearance.
Color: Red, Size: 4.3-Quart
Solid, heavy pot for cooking and baking. I bought it mainly for making soups, stews and breads. I have only tried soups thus far. The pot cleaned up very easily. The bottom of the pot heated uniformly. Nothing was stuck to the pot when I was simmering on the glass top stove. I have not had the chance to bake yet, but seeing how evenly it held heat while cooking, I am thinking this will be perfect. I bought the red color. It gives a nice pop of color in my kitchen. This pot will probably last me a long time. I would buy one if I needed a replacement, or a gift for someone.
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Reviewed in the United States on November 29, 2025
★★★★★ 5
Great quality for price after 3 years of use
Color: Matte Navy, Size: 6-Quart, Color: Matte Navy, Size: 6-Quart
I’m 3.5 years in and use it weekly. So far it’s been a great product especially for the price. We are really into soups, roast, and I bake bread a lot. This thing is amazing and a great quality. It’s easy to clean, does great in the oven, and stands up great to constant use. I only have a small amount of staining at the bottom, and a couple scratches from metal utensils. The lid is solid and the handle is really secure still, which is a problem I’ve had with other brands I’ve tried.
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Reviewed in the United States on February 2, 2026