SKU: 4960539622

sergej rachmaninov etudes tableaux edoardo brotto

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sergej rachmaninov etudes tableaux edoardo brottoSergej Rachmaninov tudes Tableaux (CVLD364) Edoardo Brotto, piano Available in: HD Files, CD 01 Op. 39 No. 1 in C minor, Allegro agitato 309 02 Op. 33 No. 3 in C minor, Grave 446 03 Op. 33 No. 1 in F minor, Allegro ma non troppo 254 04 Op. 33 No. 2 in C major, Allegro 231 05 Op. 39 No. 5 in E minor, Appassionato 514 06 Op. 33 No. 5 in E minor, Non Allegro Presto 135 07 Op. 33 No. 7 in G minor, Moderato 3 41 08 Op. 33 No. 4 in D minor, Moderato 254 09

Sergej Rachmaninov - Études Tableaux (CVLD364)

Edoardo Brotto, piano

Available in: HD Files, CD

01 – Op.39 No.1 in C minor, Allegro agitato 3’09”
02 – Op.33 No.3 in C minor, Grave 4’46”
03 – Op.33 No.1 in F minor, Allegro ma non troppo 2’54”

04 – Op.33 No.2 in C major, Allegro 2’31”
05 – Op. 39 No.5 in E minor, Appassionato 5’14”
06 – Op.33 No.5 in E minor, Non Allegro – Presto 1’35”
07 – Op.33 No.7 in G minor, Moderato 3’ 41”
08 – Op.33 No.4 in D minor, Moderato 2’54”
09 – Op.39 No.8 in D minor, Allegro Moderato 3’17”
10 – Op.39 No.2 in A minor, Lento Assai 6’45”
11 – Op.39 No.3 in F# minor, Allegro Molto 2’48”
12 – Op.39 No.6 in A minor, Allegro 2’26”

total time: 42’00”

88kHz / 24bit original digital recording made at M° Edoardo Brotto’s studio, Italy, on the 1st and 20th of May 2023.

Analog mix & mastering made at Velut Luna Studio, Valencia, Spain, on the 26th of August 2023.

M° Edoardo Brotto plays his BECHSTEIN D282 CONCERT GRANDPIANO “ALBUS”, tuned and prepared by Edoardo Brotto.

M° Edoardo Brotto chose Sennheiser MKH 8020, Schoeps CMC6 Mk21, Millennia Media HV 3C and Rupert Neve 5211 Portico Designs mic preamplifiers.

The original master was monitored and personally approved by M° Edoardo Brotto.

INTRODUCTION BY EDOARDO BROTTO

The Études Tableaux, masterpiece miniatures of extraordinary harmonic beauty, form, writing, synthesis, images they evoke, and… of extraordinary musical and technical difficulty. I don't want to add anything else; the music is wonderfully descriptive, and it is right for the listener to create their own worlds and perceive the paintings each piece depicts.
Although the repertoire is well-known to enthusiasts, this is a special album, and contrary to the standard, I will tell you about it in the first person.

I didn't have the courage to play the Études even when I was a full-time pianist, despite having Rachmaninoff's major works under my hands, including his formidable Third Concerto. Instead, I thought about studying and recording them when life became much more complex; engineer by day, pianist by night. I won't lie by saying that reconciling the two is easy; it's not. Playing at a recording level is already a huge challenge, adding a complex everyday job makes it exceptionally demanding. These lines serve as context for the fundamental concept I want to convey to those who read these words: it is possible to set and achieve seemingly impossible goals in an already more than full life. And I say this because it's worth it, whatever you choose. Challenges, won or lost, give us invaluable lessons, first and foremost about ourselves, about our limits which will consistently prove to be wrong, and then they give us a magnificent wave of new, broad-spectrum knowledge. What it takes is a good dose of unwavering will, a predisposition to withstand fatigue, sometimes suffering, and never to be distracted from the primary goal. And one more thing I write: never settle for learning, studying, challenging yourself, improving. Because satisfaction is the death of desire.

Now, regarding the particularities of this album, let's start with the fact that the piano used for the recording is my own: a wonderful Bechstein D282 that I call Albus. A lifelong dream, lasting more than twenty years, has come true. Albus was delivered directly from Berlin this April (2023), and its inauguration was the recording of this album. I personally oversaw the preparation and tuning of the piano for the recording.
Another peculiar fact is that I recorded this album myself. By this, I mean that I personally carried out the work of sound and balance engineer (microphone placement, balancing, acoustic treatment, and recording). I had in mind a recording that would be as faithful as possible to the sound of the instrument, extremely detailed and precise, with particular attention paid to obtaining a perfect sound image. The choice inevitably fell on electronics of absolute excellence, characterized by a linear frequency response and neutral timbre: Sennheiser and Schoeps microphones, omnidirectional and sub-cardioid for great presence and crystalline clarity, Millennia and Rupert Neve preamplifiers that guaranteed the least possible alteration of the native signal, and signal cables worthy of the mentioned components.
This too is the result of years of study, experience, and mistakes; a dutiful thank you goes to the valuable teachings of my producer Marco Lincetto, to whom I then left the finished tracks. Into Marco's expert hands, I entrusted the delicate phase of mixing and mastering, strictly in an analog chain, as I prefer. The result is a recording with a natural and impactful sound that, with a well-constructed system, brings the piano into your home, in all its glory.

Regarding the choice of pieces and their order, for a long time I intuitively imagined this exact sequence. It is a journey of sounds and images that developed in my mind exactly this way, which I particularly love and therefore, would not require further illustration. Nevertheless, I add that as a person who naturally perceives and imagines abstract worlds, beyond the images these picture-pieces evoke, their sequence, to explain it in understandable words, reminds me of a beautiful iteration of sinusoidal functions in three spatial dimensions and one temporal, translatable into a sheet of pure space that moves sinuously, sometimes enveloping you, interspersed with moments of great impetus and others of deep reflection, sometimes dismayed, but in any case intimate. In light of the complete recording, having extracted these twelve pieces in this exact order has only confirmed that intuition I had long ago. I recommend listening straight through to best understand what is written above.

Rachmaninoff and I.
The entire booklet could be dedicated solely to this topic. Simply put, to conclude, his music is my musical soulmate. I have dedicated the last fifteen years to studying and playing his works. His language is so much a part of me that I recorded an entire album (Within & Without – Homage to Rakhmaninov) which collects a series of my original compositions dedicated to the great master. With this one, however, I want to pay tribute to him again by playing his music, to celebrate the 150th anniversary of his birth.

 

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SKU: 4960539622

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Carmen Alicea
Lexington, US
★★★★★ 4
Baby bumps and bodyguards
Format: Kindle
Dark, emotional, and unexpectedly tender, Not Ready is an omegaverse romance that delivers found family feels, fierce protectiveness, and a very pregnant heroine who refuses to break. Vale’s on the run from a stalker, but lands in the arms of three private security alphas, cue the swoony tension, fake marriage twist, and slow-burn heat. It’s a little gritty, a little soft, and a whole lot addictive. If you love protective alphas, high stakes, and heroines with quiet strength, this one’s a must-read.
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Reviewed in the United States on December 18, 2025
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Shianne Whipple
Grantham, US
★★★★★ 5
Strong Omegaverse Comfort and a Attention Grabbing Plot
Format: Kindle
Jillian West never misses when it comes to Omegaverse, and Not Ready is no exception. This story was the perfect blend of cozy comfort and emotional depth while still delivering a strong plot. Vale is such a powerful heroine, she is strong, capable, and determined but I love that she still allows her pack to love and take care of her. It’s that balance of independence and vulnerability that makes her so relatable. The relationship dynamics were amazing: Bishop is steadfast and completely head over heels, Mercy is skeptical but protective in his own way, and Holt is the hesitant one whose slow fall is so satisfying to watch unfold. The romance hits that sweet spot between insta-love and cautious build, keeping me hooked the entire way through. And that ending. Oh my god, the cliffhanger! I need the next book in this duet immediately.
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Reviewed in the United States on August 28, 2025
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NLB
Massapequa, US
★★★★★ 5
Interesting
Format: Kindle
So I will say I enjoyed the story, for sure had its moments where it dragged but it was a great story. I really liked that omegas picked their alphas/make the pack. Normally the Alphas make it and the omega fits in with them which is great but I enjoyed this new version where all the power basically went to the omega. It was a nice change of pace. I can admit some of the weird bedroom stuff with her being pregnant was odd, it’s really not hard to do stuff when pregnant (I know I’ve had two and it’s normal and even encouraged at the end especially if you want the baby out). But I like the story as a whole and will read the second, I do hope the next one isn’t dragged bc it stopped being action or tense after she met her alphas and I don’t think it was brought up or properly done when they tried to do it. More sweet after she left.
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Reviewed in the United States on November 11, 2024
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Altairjones
Omaha, US
★★★★★ 3
I’m a little disappointed.
Format: Kindle
I usually like Jillian West’s books but this one was missing a lot for me. The pregnancy didn’t come across as real. She’s on her feet for 12 hour days but is perfectly healthy at 8 months pregnant? Yet the week she moves in all of a sudden she’s not? She is planning on actually running during one of the plot buildups. But at 8 months pregnant that’s incredibly hard to do. The lack of breathing ability and lung space, the change in body center, mass, and gravity. All of it prohibits running, unless you’re an athlete this didn’t come off as at all realistic. I didn’t feel any connection with the alphas. There wasn’t any emotional connection. It could be because of the tense it was written in. But I didn’t get any deep feelings out of this. It came across as checking off boxes. Even the spicy scenes weren’t really believable for me. I wanted to see them fall for her, and it just kind of all fizzled. Even Bishop. One thing I did really like was the ending. I did not see it coming and I’m interested in reading book two because of it. But on the whole this book was mostly disappointing for me.
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Reviewed in the United States on March 16, 2024
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Melissa Williams
Birmingham, US
★★★★★ 4
4.25 stars
Format: Kindle
Vale is an 8 month pregnant omega working as a waitress at a strip club and a cam girl. She starts to get very creepy vibes from a regular at the club, and her baby daddy ghosted her. She has had an online relationship with a man named Bishop through her cam girl status. One night, bishop was paying to watch her sleep and ansthe creepy regular Andrew break in and watch her sleep he tells vale to come to him at his business now. She flees and finds herself at a large security company with some.hot of alphas who are there to help her. This imegaverse is a little different than I have read, but I am thoroughly enjoying it. Vale is not a traditional omega she was raised by a single beta mom, and the alphas are not normal alphas they have never really loved pack life. But they are ruthless mercenaries. They need her, and she needs them. I love the aspect of the stalker and now the plot twists at the end, so so good. Sometimes, it seemed a little slow and stale mated, but since this a duet, I think It was just her starting to have Vale get to know her alpha suitors. Cliffhanger for sure with this one.
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Reviewed in the United States on September 9, 2024

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