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Description
My Dress-Up Darling Official Anime Fanbook"Fall deeper in love with the My Dress Up Darling anime through this premium collection of art and trivia! The My Dress Up Darling Official Anime Fanbook is a must have for fans of the sweet and spicy rom com that took the world by storm! These 100 gorgeous, full color pages contain: Galleries of hard to find promotional art! Production materials from animation studio CloverWorks! Staff commentary on every episode of the first season! Exclusive
"Fall deeper in love with the My Dress-Up Darling anime through this premium collection of art and trivia! The My Dress-Up Darling Official Anime Fanbook is a must-have for fans of the sweet and spicy rom-com that took the world by storm! These 100 gorgeous, full-color pages contain: Galleries of hard-to-find promotional art! Production materials from animation studio CloverWorks! Staff commentary on every episode of the first season! Exclusive interviews with the character designer, costume designer, lead voice actress, screenwriter, and series director! A special message and illustration from manga creator Shinichi Fukuda!"--
| EAN: | 9781646092857 |
| Farbverschnitt: | Generell werden die Bücher ohne Farbverschnitt geliefert, auch wenn die Abbildungen einen Farbverschnitt zeigen. |
| Erscheinungsjahr: | 24.09.2024 |
| Titel der Reihe: | My Dress-Up Darling## |
| Autoren: | Fukuda, Shinichi |
| Seitenzahl/Blattzahl: | 112 |
| Themenüberschrift: | COMICS & GRAPHIC NOVELS / East Asian Style / Manga / General~ART / Subjects & Themes / Science Fiction & Fantasy~COMICS & GRAPHIC NOVELS / Romance~COMICS & GRAPHIC NOVELS / Humorous~PERFORMING ARTS / Television / General |
| Keyword: | anime art book;japanese;comedy;manga books;geek;satire;anime;nerd;funny books;graphic novels for adults;manga;graphic novels;comics;graphic novel;manga box set;comic books;japan;funny;comic book;nerd gifts;humor;geek gifts;otaku;japanese manga;manga classics;humor books;comics and graphic novels;japanese comic books;japanese comic;subculture;gifts for comic book fans;comic book gifts;gifts for comic book lovers;comic gifts;humor graphic novels;picture books;adaptation;art;toys;comic;knights |
| Fachschema: | Graphic Novels-Manga |
| Fachkategorie: | Kunst: Themen und Techniken |
| Imprint-Titels: | Square Enix Books |
| Länge: | 303 mm |
| Breite: | 214 mm |
| Höhe: | 14 mm |
| Gewicht: | 816 gr |
| Produktform: | Gebunden |
| Genre: | Importe |
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4.5 ★★★★★
Based on 13 reviews
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Product Reviews
★★★★★ 5
Silly little book
Format: Hardcover
My daughter love this book. We read it over and over again until I had to make her choose something different t. The story is so cute and the illustrations are really fun.
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Reviewed in the United States on March 29, 2026
★★★★★ 5
Great book
Format: Hardcover
Love this book. I bought two of the other books in this series. My niece loved it.
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Reviewed in the United States on April 3, 2026
★★★★★ 5
Perfect for spring time!
Format: Hardcover
Such a great book series I love reading it to my boys!
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Reviewed in the United States on March 31, 2026
★★★★★ 5
Good buy
Format: Hardcover
This is a super cute book! It teaches about spring and we enjoy reading it!
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Reviewed in the United States on February 19, 2026
★★★★★ 5
"Racial Capitalism"
Format: Paperback
Cedric J. Robinson’s Black Marxism is first a history of Black people appearing in historical texts as far back as Herodotus (c. 484 – c. 425 BCE) in ancient Greece, and second a history of “the collisions of the Black and white ‘races’ beginning in the fifteenth and sixteenth centuries.” Robinson’s thesis connects the evolution of capitalism to its roots in racism (racialism) understood in broad terms to comprise the subjugation of one class/group/nation/race by another (the Irish by the English in the nineteenth century, for example). He uses the term “racial capitalism” to express this process—the necessity of opposing classes for the function of capitalism. As a result, “racialism,” he says, “would inevitably permeate the social structures emergent from capitalism.” Keynes attributed the slow change in the “standard of life of the average man” until the beginning of the eighteenth century to “the remarkable absence of important technical improvements and to the failure of capital to accumulate.” Capital is accumulated, in Marx’s view, through the accretion of “surplus labor” which is the extra time a worker “must add to the working time necessary for his own maintenance . . . in order to produce the means of subsistence for the owners of the means of production.” Robinson ties capitalism’s early exploitation of surplus labor to slave labor and the slave trade noting, “historically, slavery was a critical foundation for capitalism.” Robinson traces the forced transport of Black people from Africa (the diaspora) to Europe, as well as Central, South, and North America as a foundation of early capitalism (and slavery as its form of “primitive accumulation” of capital). In his discussions of slavery, Robinson stresses the sense of the enslaved people with respect to their captors in terms of the slaves’ resistance, hostility, and defiance of the masters—their “Black radicalism.” As Robinson’s text approaches the twentieth century and the influence of Marx, his focus narrows to the significance and character of specific Black leaders including W. E. B. Du Bois, C. L. R. James, and Richard Wright and their respective connections to Marxism’s diverse interpretations. Marxism, says Robinson, “has proven insufficiently radical to expose and root out the racialist order that contaminates its analytic and philosophic applications or to come to effective terms with the implications of its own class origins.”
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Reviewed in the United States on September 2, 2022